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Au Bon Vieux Temps by Guerlain c1890

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Au Bon Vieux Temps by Guerlain: launched in 1890. Created by Jacques Guerlain. The name means "The Good Old Times" and recalls the scents of the old potpourri jars (sweet jars) found in homes and the heavy musk worn by so many in the late 18th and early 19th centuries.


Fragrance Composition:


So what does it smell like? It is classified as a unisex, deep oriental chypre with violet, rose, (potpourri jar scents) and amber notes. It was described as very "musky".
  • Top notes: bergamot
  • Middle notes: violet, rose
  • Base notes: amber, oakmoss, labdanum, patchouli, musk

Sweet jars, or potpourri jars as we call them today often contained a mixture of dried flowers and spices, including rose, orange blossom, orris root, cinnamon, cloves, lavender, verbena, geranium, bay leaves, myrtle leaves, syringa blossoms, violet, carnation, nutmeg, lemon thyme, marjoram, benzoin, storax, Seville oranges stuck with cloves, jasmine, angelica root, laurel leaves, balm of Gilead, frankincense, myrrh, patchouli leaves, bergamot, mace, peppermint, sandalwood, heliotrope, mignonette, rosemary, allspice, anise, musk, and other flowers and herbs.



Country Life, 1902:
"In the foyer there was a whiff of Guerlain's Le Bon Vieux Temps that recalled a summer breeze laden with the hearts of flowers. It is I hear the latest pleasure of Madame la Mode."


Rapports, 1902:
"The list would be too long of all specialties of the Guerlain house dating from 1788. We only mention among the many products that contained his living room the old creations: Excellence, Héliotrope Blanc, Impérial russe, Pré d'automne, Eau de Cologne Impériale, la Poudre de Cypris, la pâte royale, and among all the recent creations La Gavotte, summer scent, very fresh, Jardin de Mon Curé, Le Bon Vieux Temps, l'eau de Cologne hégémonienne, l'Extrait de pot pourri aux plantes marines, Voilà pourquoi j'aimais Rosine.  All these fragrances were exposed on consoles and pedestal tables and presented for some naked to show the intrinsic value of the products. Guerlain manufactures exclusively luxury perfumery. 
Awards to previous exhibitions: 
  • medal, London 1862 
  • medal, Paris 1867 
  • hors concours, Jury Member, Paris 1878 
  • hors concours, Jury member, Antwerp 1885 
  • hors concours, Jury Member, Paris 1889 
  • Grand Prize, Brussels, 1897."


La Semaine de l'Hippique, 1903, 1903:
'What a delicious fragrance', my dear, said I, because she smelled of that delightful perfume Bon Vieux Temps that I recognized immediately, as I use it myself.
'Yes, yes, my own special mixture', she answered condescendingly......
"My congratulations on your taste, dear friend, it is quite simply perfect. Do you like mine?" I added, shaking out my lace handkerchief, also perfumed with Bon Vieux Temps.
"My goodness, yes" she murmured, blushing, caught in her own trap.
"And I can't even hide from you where I bought it because you know I only wear Guerlain." 



La Ilustración española y americana, 1903:
"GUERLAIN with his Bon Vieux Temps has solved a very difficult puzzle which consisted in giving us a perfume well accentuated according to present day taste whilst its penetrative power is subdued by the subtle suave and agreeably mild qualities of the odor itself. These are the rare distinguishing features which account for the immense vogue in which Bon Vieux Temps is held and which have caused it to be adopted wholesale by the Parisian aristocracy."


 The Atlantic, 1917:
"Here is another perfume with the charming name Le Bon Vieux Temps. Are there more words needed to create for you great grandmother's time with its potpourri jars and its hoopskirts its little elegancies and its faded sweetnesses?"

Stage, 1937:
"With his most respectful compliments Guerlain calls the attention of his fashionable customers to the following list of his productions Parfums pour le Vaporisateur : Eau de Cologne Hégémonienne, Quand vient l'été, Eau de Cologne,  Eau de Toilette Gardénia. ... Après l'Ondée, Sillage, Bon Vieux Temps, Jicky, Chypre de Paris, Tsao-Ko.. Sapoceti, savon pour la toilette. Crème de fraises."

Bottles:


Housed in the Empire flacon (parfum), the Louis XVI flacon (parfum), and the Goutte flacon (eau de toilette).



Fate of the Fragrance:


Relaunched in 1901 and renamed Le Bon Vieux Temps, and still sold in 1946. Discontinued.





Hallo Coco! by Jovoy c1924

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Hallo Coco! by Jovoy: launched in 1924. The scent was available in both perfume and face powder.

I am unsure where they got the name for the perfume other than Coco was a popular name for parrots. however, a 1921 newspaper article in the Des Moines Register noted that "That Germany is flooding Paris with cocaine using women of the underworld to import the drug from Berlin, is the belief from Paris police, who have instituted a rigid investigation and expect to announce important arrests. One large boulevard cafe is the headquarters for selling narcotic, for which a charge of only a franc a gram is made. A cocaine seller was shot in the stomach Saturday evening by a policeman in Rue Caumartin, the seller of Paris. The drug venders always begin the conversation with prospective purchasers with "Hello, coco," which means "I've got cocaine to sell."





Fragrance Composition:



So what does the perfume smell like? It was described as a floral fragrance for women. I do not have the actual notes for this composition, I would need a sample to tell you what it smells like.


The Pharmaceutical Era, 1924:
"The very newest number which arrived on a boat just a day or so ago is called Hallo Coco. The perfume is by Jovoy, and the odor is rich with flower essence, and very pleasing."

Bottle:


The adorable Hallo Coco bottle was manufactured by Verreries Brosse features a clear glass bottle molded with abstract symbols of rectangles and stylized sun motifs. The bottle is topped by a figural parrot shaped glass stopper. The whole presentation consisted of a brass or gilded metal birdcage, stand and four ounce parrot bottle.

As you can see in the advertisement below, the perfume presentation retailed for $12.50 in 1924, a quite expensive sum at the time, which would according to an inflation calculator be equivalent to  $190.01 in 2019.

Though by 1927, one retailer offered the same bottle with it's cage was being sold at only $5.95. Corday's and Jovoy's other popular perfumes: Severem toilet water (in 8 oz bottle), Severem (in 2 oz elephant bottle), Serre Fleurie toilet water (in 8 oz bottle), Serre Fleurie (in 2 oz flower basket bottle), Toodle-oo (in 2 oz bird and net bottle) and Jet Parfume (in 2 oz fountain bottle) were also being sold for the same amount. Another retailer that year sold them for $8.88 during a three day sale only.

Democrat & Chronicle, newspaper, 1924:
"A brilliant cockatoo has alighted atop the stopper of the graceful bottle wherein the sweet "Hallo Coco" scent awaits liberation."










Fate of the Fragrance:


Discontinued, most likely before 1930.

Maud Frizon by Maud Frizon c1985

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Maud Frizon by Maud Frizon: launched in 1985. This was the first fragrance by shoe designer, known for her amusing creations. 





The perfume was available in three strengths: "Un peu" [a little], "Passionnement" [passionately] and "A la Folie" [to the point of madness]. These names are taken from the end of the French version of the ritual of plucking daisy petals to the tune of "he loves me, he loves me not."


Fragrance Composition:


So what does it smell like? I have no notes on this composition.


Bottle:


Frizon herself, picked the fragrance, chose the names, and designed the hand-blown glass bottles. The perfume was priced at $200 an ounce. Each spherical, crystal flacon was hand blown in Venice and designed by Frizon to last as an objet d'art on the vanity table. The perfume was initially only available at select boutiques in New York and Bal Harbor, Fla.




Fate of the Fragrance:


Discontinued, probably by 1990.

Diamant Bleu by Gloria Vanderbilt c1946

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The Gloria Vanderbilt Salon opened in 1946 at 15 East 60th Street, New York City on the first floor of the Chalom Art Gallery. The marble fronted salon was meant to be a dream showroom for the wholesale trade of the Gloria Vanderbilt Corporation's cosmetics, skincare and perfume line, in addition to some antiques and jewelry.


Vanderbilt's longtime friend, the French born art dealer and interior decorator,  Maurice Chalom designed the rooms of the salon to include his celestial "Chalom blue" walls. The main showroom featured mirrored pilasters, the second room featured Chalon designed wallpaper and deep piled blue carpeting. The tagline was "Apres la pluie, le beau temps", French for "after the rain, the sunshine."

The business venture was spurred on because Gloria Vanderbilt's sole support, 22 year old daughter, Mrs. Leopold Stokowski, had cut off her mother's annual allowance, $21,000. Her daughter said that the money was going to be used to aid poor children and suggested her mother find a ob to support herself. "When my daughter cut my allowance, Mr. Chalom suggested a business based on the secret formula of La Chevaliere d'Eon. She was a fabulous personality of the court of Louis XV and served as an international spy."

The new business, Gloria Vanderbilt Corporation had formed around Ms Vanderbilt, Maurice Chalom, and lawyer, I.T. Flatto. Chalom was quick to point out that "Mrs. Vanderbilt is not putting a cent into the business - but $40,00 has been put at our disposal by a friend of mine to start off."

The premier attraction of the business was the introduction of a new perfume in an elegant bottle. Vanderbilt explained that "we are going to start with the perfume Diamant Bleu. The bottle is similar in shape to the famous blue diamond in the Louvre."

The Perfume:


Diamant Bleu was contained in a chunky French crystal bottle, designed by Chalom, was cut into the shape of a diamond, said to be inspired by the famous French Bleu. The bottle was housed in a velvet lined presentation box. Three sizes of the perfume were available in prices of $17.50 for the half ounce, $30 an ounce and $50.

The men's colognes and shave lotions, in a fragrance named Revivor, were packaged like bottles of champagne and housed in a wicker basket.


Cosmetics & Skincare Line:


A line of cosmetics, including lipsticks, was scented with a hint of the Diamant Bleu fragrance. The accompanying toiletries were presented in light blue containers with dark blue caps.

The lipsticks were housed in gilded metal cases covered with the Vanderbilt coat of arms. The lipstick was in shades of Diamant Bleu, Sparkling Rosee, Bordeaux, Mon Beguin, Da, and Indian Orchid.

Eyeshadow in shades of Vert, Diamant Bleu and Brun were also available. Cream Rouge in shades of Diamant Bleu, Sparkling Rosee, Bordeaux, Mon Beguin, Da, and Indian Orchid echoed those of the lipstick.

Not to be forgotten was the all important face powders in various hues: Diamant Bleu, Blonde, Chatain Clair, Riviera Tan, Sparkling Rosee, Chatain Rosee, Mon Beguin, and Midnight Sun.

Sparkling Rosee liquid foundation and cream foundation rounded out the remainer of the cosmetic line.

The skincare line included Diamant Bleu night cream, Sparkling Rosee all purpose cream, La Chevaliere cleansing cream, Diamant Bleu hand lotion, Diamant Bleu lotion mist.


Fate of the Company:


By 1947, the Gloria Vanderbilt cosmetic company started failing and was being sued by investors and those who performed work on her salon showroom who had not fully been paid. $80,000 was spent on advertising alone!

Prices for her perfume, cosmetics and skincare line were drastically reduced, the once $30 an ounce bottle of perfume was now being sold by Macy's for only $3.98 and the half ounce size for just $2.50 rather than its original price of $17.50. I believe that Macy's bought out all of the remaining stock and was still selling it into 1948 at 70% off original prices.

 In 1949, the business was closed.


Guirlandes by Carven c1982

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Guirlandes by Carven: launched in 1982. It was created for the young woman by Jean Guichard of Robertet.


Fragrance Composition:



So what does it smell like? It is classified as a soft fresh, fruity white flower fragrance for women. It begins with a fruity aldehydic top, followed by a delicate floral heart, resting on a powdery base.
  • Top notes: leafy green note, pineapple, bergamot, aldehydes, raspberry, and galbanum
  • Middle notes: hyacinth, cyclamen, carnation, jasmine, rose, tuberose, lily of the valley and clove
  • Base notes: cedar, honey, benzoin, amber, sandalwood, oakmoss, cedar and musk

Fate of the Fragrance:


Discontinued, date unknown.




Societe Francaise Des Produits De Beaute

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Societe Francaise Des Produits De Beaute of Paris, France:





The perfumes of SFPB:

  • 1922 Citroneige
  • 1923 Neige des Cevennes 
  • 1924 Sous les Neiges
  • 1926 Reine de Paris

Lolita Lempicka by Lolita Lempicka c1997

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Lolita Lempicka by Lolita Lempicka: launched in 1997. Created by Annick Ménardo.






"My fragrance is the statement of my fashion - Baroque and contemporary, curvaceous, with feminine details, " explained Lolita Lempicka.


Fragrance Composition:


So what does it smell like? It is classified as a floral oriental fragrance for women. It was described as the "fruit of our dreams."
  • Top notes: ivy leaves, anise seeds and sour cherries
  • Middle notes: amarena, amaryllis, licorice flower, sweet almond, violet and orris  
  • Base notes: praline, vanilla, tonka bean, white musk and vetiver




Not long after the fragrance was released, it won DCI's Package of the Year award for 1998. The award was attributed to the fact that women respond to the scent, whereas other perfumes or colognes on the market were released with the idea of attracting the opposite sex.


In 1998, it won the "Women's Fragrance of the Year - European" FiFi Award at The Fragrance Foundation's annual event which honors the fragrance industry's creative achievements and is the most prominent and prestigious celebratory event of the fragrance industry. A year later it won another FiFi, this time for "Women's Fragrance of the Year - Broad Appeal (Popular Appeal)".


Bottle:


 A purple crystal apple, with a golden tree trunk cap engraved with hearts while the delicate base is sprinkled with abstract ivy leaves adorned with thick enamel and gilded accents. The symbolism is romantic. The bottle designed by Sylvie De France represents first love, forbidden love and lasting love.


Fate of the Fragrance:


In 2010, the perfume was reformulated and relaunched as "Lolita Lempicka Le Premier Parfum". It was still housed in the original apple bottle. This version has been discontinued, read more below.
  • Top notes: ivy leaf, pineapple, lemon, rosewood, sour cherry and anise
  • Middle notes: lily of the valley, rose, jasmine, licorice, violet and iris
  • Base notes: sweet almond, vanilla, heliotrope, tonka bean, musk, praline and vetiver.


Lolita Lempicka is still being produced, as of 2020, it is now known as "Lolita Lempicka Original" and comes in a new bottle. This new bottle has a more angular shape with a star molded into the side. The glass does not have the decorative enamel or richly gilded accents as on the original vintage bottle. This new bottle also has an updated spray mechanism, gone is the cute "stem" that would have protruded from the top of the "apple" shaped bottle, replaced by a generic spray and heart shaped cylindrical cap. A little gilded metal charm in the shape of an ivy leaf hangs off the neck with the word "Original" engraved into it.


From the Lolita Lempicka website:
  • Top notes : Bergamot, Anise
  • Heart notes: Licorice, Iris, Tonka bean 
  • Base notes: Vanilla, Praline, Patchouli Prisma, Musk

"Back to the Origins. In the early days, Lolita Lempicka created Original, a timeless fragrance. It is the beginning of a fairy tale, the bestseller is making a comeback. Eau de parfum in its 100 ml spray.

The fresh and sparkling flight of bergamot, enriched with a surprising note of anise reveals a powdery and ultra sensual floral duo of iris and licorice. This passionate wake is sublimated by a spicy and woody delicacy, voluptuously accompanied by a cloud of musks. 

Original is developed for the greatest respect for your skin. It is free from sunscreens, dyes and endocrine disruptors. This fragrance is vegan and labeled One Voice."



In 2017, to celebrate 20 years since the launch of the original the fragrance, it was given a new name Mon Premier Parfum and launched in the new angular bottle which has a pendant with an ivy leaf and two letters L.
  • Top notes: ivy, star anise, cherry
  • Middle notes: orris, violet, licorice, amarillys
  • Base notes: vetiver, musk, tonka bean, vanilla, praline


As of 2020, it was reformulated with new ingredients:
  • Top notes: Licorice accord 
  • Middle notes: Cherry accord, purple accord  
  • Base notes: Labdanum rockrose

"Symbol of the brand's living heart, Mon Premier Parfum celebrates Lolita Lempicka's first olfactory creation. Mon Premier Parfum is Lolita Lempicka's iconic perfume. It is one of those rare scents that the nose recognizes before the lips have had time to pronounce the name. True ode to femininity with its gourmet notes, its bouquet of licorice flowers, with oriental, carnal and intoxicating notes, acts as a real invitation to travel and passion. Eau de parfum in 15 ml, 30 ml, 50 ml and 100 ml spray bottles. Timeless and gourmet nectar, Mon Premier Parfum reveals the origin of sensuality. Its bouquet of licorice flowers, with oriental, carnal and intoxicating notes immediately, intensely and forever seduces. These products are vegan and One Voice certified. "






Foin Coupe by Guerlain c1896

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Foin Coupe by Guerlain: created in 1896, also sold as "New Mown Hay".


Fragrance Composition:



So what does it smell like? It had notes of new mown hay, herbal notes, tonka, sweet woodruff.
  • Top notes: bergamot, rose geranium, neroli, lavender
  • Middle notes: herbs, moss rose, orris, clove, sweet woodruff
  • Base notes: tonka bean, musk, benzoin, vanilla, styrax, sandalwood, patchouli, oakmoss


The scent of new mown hay has always been a favorite in perfumery. Foin Coupé as it is known in France, evokes the fresh hay cut during a sunny day. Like an open window, this scent recalls sun-drenched summer days. It is made up of different herbs and wild flowers. The fragrance of new mown hay usually has to be made synthetically. The sweetness comes from coumarin, an aromatic lactone being present in several grasses, sweet vernal grass and bison grass, for instance. The coumarin is glycosidically bound in the green plants but is liberated upon withering of the grass.

In perfumery, the "new mown hay" scent is almost an archetype. Based on coumarin (and analogues), and often supplemented with mossy and green nuances, this odor complex enters a multitude of fragrances. Actually coumarin was one of the first perfumery ingredients to be made by organic synthesis. Coumarin was created by William Perkin of England in 1868, an important aroma-chemical which has a hay-like aroma with coconut under tones, however it is banned as a food additive in the United States due to toxicity; is used to produce anti-coagulant medicines, rat poison, a valuable component of incense and perfumes. Coumarin is a fine white crystal that smells like new mown hay. It gives a mild powdery sweet hay note and a great deal of volume and fullness to a perfume. Tonka bean contains a lot of coumarin and smells similar.

An early perfumery masterpiece utilizing synthetic coumarin was Fougère Royale by Houbigant, launched in 1882. Houbigant combined the sweet scent of Coumarin with lavender, citrus and woody notes. It is this basic structure that defines a Fougere.

Hay Absolute: Of the genus foin coupe. The term Hay in this place refers to the type of 'new mown hay.' ; has been used for perfume base creations for many decades; the aroma is powerful and extremely sweet, quite diffusive, coumarin-like and faintly herbaceous, very uniform and tenacious. Used in perfumery not only in 'new mown hay' bases, or in combination with flouve, melilot, tonka, woodruff, deertongue, etc., but also as an individual note to be introduced whenever a truly herbaceous sweet under tone is required.

Hayfield Note: Used in perfumery to reproduce the sweet scent of new-mown hay: usually represented by coumarin.

Two antique recipes from Austin's Indispensable Handbook and General Educator from 1885:

NEW MOWN HAY EXTRACT #1
  • 2 oz Tonka tincture 
  • 2 oz tincture of musk 
  • 2 oz tincture of benzoin, 
  • 4 drams extract of moss-rose 
  • 4 drams deodorized alcohol 
  • 20 drops of ottos of rose geranium 
  • 20 drops of bergamot 

NEW MOWN HAY EXTRACT #2
  • 6 1/2 oz extract of Tonka 
  • 2 oz extract of orris 
  • 1 1/2 oz extract of musk 
  • 2 drams of extract of vanilla 
  • 2 drams of styrax 
  • 15 drops of ottos of bergamot 
  • 15 drops of sandalwood 
  • 4 drops of otto of neroli, 
  • 2 1/2 drops of ottos of rose 
  • 2 1/2 drops of English lavender 
  • 2 1/2 drops of patchouly 
  • 1 1/2 drops of otto of clove 
  • 23 grains of benzoic acid 
  • deodorized alcohol, enough to make one pint. 


Newer recipes for New Mown Hay perfumes are found in Poucher’s Perfumes, Cosmetics & Soaps, 1992.
Foin Coupe, no 1046
  • 300 linalool 
  • 200 coumarin 
  • 150 lavender 
  • 70 acetophenone 
  • 70 benzyl acetate 
  • 50 geranium bourbon 
  • 50 benzophenone 
  • 40 bergamot 
  • 20 clary sage 
  • 20 musk xylene 
  • 15 sandalwood 
  • 10 patchouli 
  • 5 oak moss 

A finished perfume, Foin Coupe, no 1047
  • 830 alcohol 
  • 130 compound as above (Foin Coupe, no 1046) 
  • 25 musk tincture (3 %) 
  • 5 tonka resin 
  • 4 jasmine absolute 
  • 3 orange flower absolute 
  • 2 rose absolute 
  • 1 civet absolute


Bottle:


Presented in the Carre flacon.




Fate of the Fragrance:


Discontinued, date unknown.




Yendi by Capucci c1972

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Yendi by Capucci: launched in 1972.










Fragrance Composition:


So what does it smell like? It is classified as a floral fragrance for women. It begins with an aldehydic fruity top, followed by an elegant floral heart, resting on a sensual, powdery, feminine base.
  • Top notes: aldehydes, bergamot, hyacinth, peach, raspberry, honeysuckle
  • Middle notes: Nosi Be ylang ylang, Calabrian orange blossom, French Riviera jasmine, rose, honey, lily of the valley, cyclamen, clove buds, orris, orchid
  • Base notes: gaiac wood, myrrh, Bourbon vetiver, Penang patchouli, spice, sandalwood, musk, cedar, amber, styrax, vanilla, oakmoss

Bottles:




Fate of the Fragrance:


Discontinued. Still being sold in 1993.


Decadence by Decadence c1985

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Decadence by Decadence: launched in the fall 1985 by Parfums International (the prestige fragrance group of the Prince Matchabelli division of Chesebrough-Pond's Inc.)


The then-marketing manager for Decadence, Carol Weiss, said that the long lasting scent was "for the woman who has a statement to make about herself, in the way she looks, the way she dresses and the way she carries herself. She's a little older, a little more confident, a little more worldly. This is not a timid woman. If no one noticed her fragrances, why would she want to wear it?"

In 1985, Chesebrough-Pond's, under its newly formed Parfums International division, brought out Decadence in its first upscale effort. Advertisements were shot by Helmut Newton for William Esty.
    Parfums International owned the trademark for Decadence as late as 2008, but distribution was handled by Parlux from 1994-1996.


    Fragrance Composition:



    It is classified as a floral fragrance for women.
    • Top notes: apple, peach, plum, raspberry and bergamot
    • Middle notes: jasmine, lily-of-the-valley, marigold and rose 
    • Base notes: oakmoss, sandalwood and musk

    Bottle:


    Decadence was housed in an Art Deco influenced crystal flacon topped with a frosted glass stopper. The bottle was designed by Simon Jeruchim.

    In 1986, Parfums International expanded the line and introduced the Decadence bath and body cream, hand and body lotion and dusting powder.


    Fate of the Fragrance:


      It was discontinued in 1996.

    WE NEED PERFUME CONTAINERS

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    "WE NEED PERFUME CONTAINERS» Poster illustrated the National Union of French perfume. Signed by René Letourneur (sculptor). Impression: Curial-Archereau. Covered by the ORAFF. 32 cm x 49 cm Period 1941-1944

    "We need perfumery containers to continue to provide you - bring us all your bottles, tubes and useless pots. National Union of French perfumery."



    Gio by Giorgio Armani c1992

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    Gio by Giorgio Armani: launched in 1992. Gio, pronounced "Joe", is short for Giorgio (Armani's nickname) and is pronounced "Joe." which was to replace Armani's original self-titled Armani fragrance from 1982. Giorgio Armani stated that "it is the perfume expression of the principles that govern my life." Created by Françoise Caron.



    Gio was launched in Europe in September 1992 and in the USA in February 1993.  In July, 1992, the European evening launch party was held at Armani's country estate 50 miles south of Milan, Italy. He invited 250 guests to experience the fragrance at his rose colored villa with its extensive veranda overlooking cypress tree-lined paths, surrounded by thick lawns, complete with a pond full of swans gliding across the placid water. Notable guests included actress Lauren Bacall, and actor Christopher Lambert.

    Director David Lynch of Twin Peaks fame completed a 30 second black and white commercial for the fragrance. The director was chosen by Armani "because Lynch has very clear ideas and you have to let him work." Next was to find a beautiful face to represent the brand in advertising , Armani explained that he needed "a woman who goes with the name. It couldn't be Yasmeen Ghauri. And it's not Claudia Schiffer, she's so tied to the moment, maybe in a year she'll be gone." 

    Armani chose Lara Harris, an American model to be the face of the fragrance. The final choice was "ambitious - not a classic beauty". She was the star of the launch party, clad in an Armani creation: a low-backed peach-colored chiffon gown. Lynch also made a 2 1/2 minute spot titled "Who is Gio?" featuring Harris caught between the romance of a stuffy dinner in an elegant villa and dancing wildly to a frenzied Latin jazz band late into the evening. This was previewed at the launch party.

    The US launch party was held at a purposefully remodeled office space in the Solow Building on February 4, 1993. Armani invited 450 lucky souls to a Matisse inspired Moroccan gala to benefit Women in Need, a NY non-profit social services organization. The sumptuous gala included a fashion show featuring the upcoming spring collections and dinner on the entire 38th floor. Party decorator Robert Isabell spent several months and made two trips to Europe so he could recreate Armani's showroom in Milan complete with catwalk. Employing thousands of rose blossoms, boxed lemon trees and yards of fabric he was able to transform the space into a Moroccan pleasure palace. Total cost of the event was reportedly around $2 million.

    Guests nibbled on such delights as lamb and chicken couscous, blood orange sorbet and caviar tart all served by handsome men dressed in white Moroccan styled ensembles. A squad of sensuous belly dancers shimmied and undulated through the crowd just before dessert was served while the guests reclined North African style on specially made divans plumped up with silk cushions. To lend an air of authenticity, the low tables were covered with sisal like straw tablecloths, draped hemp, brass dinnerware and a tented ceiling. Cork floors were brought in and hand painted to resemble Moroccan mosaic tiles, an atmosphere of a desert panorama was around the dining area including a mirage of an oasis.

    Guests included Pat and his wife Chris Riley, Spike Lee, Sigourney Weaver, Carl Bernstein, Russell Simmons, Robert DeNiro, Donna Karan, Marc Jacobs, Anna Sui, Martin Scorsese, Whoopi Goldberg, Cher, Dustin Hoffman, Isabella Rossellini, Charlie Rose, Uma Thurman, Jim Belushi, Gregory Hines, Al Pacino, Joan Rivers, Eric Clapton and many others. 

    Armani donated $200,000 to the Women in Need foundation. All the furniture and party decor was donated to various charities around New York City.

    The gala was followed up by an intimate lunch for 12 at Le Grenouille the next day.

    Armani was involved in the creation of the fragrance and claimed it was a "huge, hard job. It costs a fortune to do. And I pay a lot of attention because I don't want to make a mistake on perfume - that would be very negative." 


    New York Magazine, 1993:
    "Though Cosmair — one of the world's largest fragrance distributors — licensed the new product, Armani himself orchestrated every last detail. He chose the scent, the shape of the bottle, the parchment packaging, the sales ads, and the sales assistants mustard coat dresses."

    At first he was frustrated by the field of fragrance, as the world was constantly treated to new launches. he complained "there are too many names, just like ready-to-wear, and people don't have the money to buy them. There's this habit now to launch two or three new perfumes from one name in a year and it's impossible. If the fragrance is OK, then certainly everything that comes after - the way you market it- is important. but if the fragrance isn't OK, no matter what you do, people won't believe it. The key is to know how to capture the right fragrance. My goal is to create a sophisticated perfume that has a sense of age - a perfume that can grow old with a person. A perfume that could go from generation to generation. I'd like to think that this perfume will always be on a woman's dressing table. She might try others, but this would always remain a point of reference, like the perfumes of once upon a time."


    Gio was introduced into the USA by Cosmair, the US licensee of L'Oreal, SA.

    Global Marketing Management, 1999:
    "Cosmair sells Tresor and Giorgio Armani Gio to the upper end of the market and Gloria Vanderbilt to the lower end."

    Fragrance Composition:



    Armani worked with the master chemists at Givaudan-Roure to develop the scent who extracted the fresh aura of a living flower via gas chromatography. "I wanted to share my world with the women who understand my style", said Armani. He described the perfume "not to strong or violent, resembling the past a little but with a modern note." The scent is a mix of summer fruits of mandarin orange and peaches, followed by a heart of opulent roses, lush orange blossoms, narcotic tuberose, fresh gardenias, subtly punctuated with spices such as cloves and cinnamon and layered over warm base notes of amber, sandalwood and vanilla. The skillfully blended fragrance blooms beautifully upon the skin of the wearer, "allowing every personality to be (a) protagonist", claimed Armani. He went on to say "if one manages to find the right perfume for one's skin, it's a beautiful thing. It is something that lasts, that people remember."
    .
    So what does it smell like? It is classified as a fruity floral fragrance for women.
    • Top notes: Brazilian rosewood, Egyptian hyacinth, violet, jasmine, rose, bergamot, Sicilian mandarin and peach
    • Middle notes: cinnamon, orange blossom, gardenia, cassia, clove, lily of the valley, myrrh, ylang-ylang, rose, tuberose, carnation, jasmine and orris  
    • Base notes: sandalwood, vanilla, styrax, cedar, musk and amber 

    Bottle:


    Presented in a bottle designed by Giorgio Armani in collaboration with Michel Blanc. The fragrance's logo is written in Armani's handwriting. The bottle was inspired by a 1930s perfume bottle. It is a direct copy of the bottles used by Houbigant with their rounded shoulders and gilded cap. 









    Fate of the Fragrance:

    Discontinued.

    Mea Culpa by de Vernon c1962

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    Freddy, a gift shop located at 10 rue Auber in Paris, sold handbags, scarves, gloves, umbrellas, jewelry, novelties, all sorts of vanity goods including cut crystal Marcel Franck atomizers and Limoges porcelain perfume bottles, small purse size hand mirrors and smoking accessories, etc.











    The company put forth their own perfume line called Mea Culpa, and it was issued under their business name de Vernon starting in 1962. I have sen a Freddy catalog from 1965 and the perfume was still being sold at that time.


    Fragrance Composition:


    It was classified a floral chypre fragrance for women.
    • Top notes: neroli , aldehydes, bergamot
    • Middle notes: ylang-ylang , orris root, jasmine, rose
    • Base notes: vetiver, oakmoss, sandalwood, amber, musk

    Bottle:


    Fate of the Fragrance:

    Discontinued, date unknown.

    Belle de Jovan by Jovan c1976

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    Belle de Jovan by Jovan: launched in 1976.

     


    Fragrance Composition:



    So what does it smell like? It is classified as a floral fragrance for women.
    • Top notes: carnation, violet
    • Middle notes: Bulgarian rose, Italian orange blossom, French jasmine, Florentine iris
    • Base notes: East Indian sandalwood


    New York Magazine, 1976:
    “Introducing Belle de Jovan Perfume. Open. Apply. Experience. Savor. Whisper. Touch. Caress. Stroke. Kiss. Legend tells us that a wealthy prince once challenged the master perfumers of Jovan to create the world's most beautiful perfume. For his cherished princess.  “Use only the most precious flowers,” he advised, “for she must experience the greatness of my gift. Belle de Jovan is that very fragrance, A sensual, long-lasting blend of French Jasmine, Bulgarian roses, Italian orange blossoms, East Indian sandalwood, Florentine iris and other precious flowers. A fragrance treasure to be given by every man who has ever cherished a woman. And to be worn by every woman who desires to be cherished. Available in perfume and cologne spray mist. Wear it for him. Before someone else does.”


    It was available in the following:
    1/3 oz perfume
    1.8 oz Cologne Spray
    2.25 oz Cologne Spray



    Fate of the Fragrance:


    Discontinued, date unknown. Still being sold in 1986.




    Paris by Yves Saint Laurent 1983

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    Paris by Yves Saint Laurent: launched in 1983. Created by Sophia Grojsman.




    Fragrance Composition:


    So what does it smell like? It is classified as a floral fragrance for women.
    • Top notes: Italian bergamot, cassia, geranium, nasturtium, damascena rose, green notes, orange blossom, hyacinth, mimosa, mayflower, pear liquor, hawthorn blossom  and raspberry
    • Middle notes: Grasse rose, English rose, carnation, violet, neroli, honeysuckle, may rose, ylang ylang, jasmine, orris, lime blossom, lily and lily of the valley
    • Base notes: honey, juniper, Mysore sandalwood, oakmoss, Haitian vetiver, musk, cedar, amber, heliotrope and iris. 
     

    Paris made use of various synthetic aroma compounds:
    • Iso E Super (6%) (main woody ambery musky accord)
    • methyl Ionone (10%) (woody violet note)
    • rose complex (10%)
    • DMBCA (2.5%) (woody rose character)
    • Hedione
    • cis-3 hexenyl salicylate 
    • benzyl salicylate (6%)
    • Galaxolide (5%) (musk)
    • musk ketone
    • cyclopentadecanolide (musk)
    • Tonalid (musk)
    • alpha damascone (fruity note)
    • gamma-decalactone (fruity note)
    • Frambinone (raspberry)



    Paris Fleur de Parfum


    In 1987, Yves Saint Laurent launched Paris Fleur de Parfum, a EDP formulation, between EDT and parfum. Fleur de Parfum is a variation on the 1983 fragrance Paris.

    In reworking Paris, the top note and the depth have been strengthened and the floral bouquet intensified, to make the fragrance "more enveloping and seductive." A harmony of woody floral and amber notes dominate. Rose, mimosa, geranium, hawthorn, blended with violet, iris and Mysore sandalwood, amber, musk.
    • Top notes: rose, geranium, mimosa
    • Middle notes: cassia, hawthorn, violet, iris
    • Base notes: amber, Mysore sandalwood, musk




    Nandita by Babani 1925

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    Nandita by Babani: launched in 1925.



    Fragrance Composition:



    It was classified as an oriental fragrance for women. I have no other notes on this composition. I would need a sample to tell you what the rest of it smells like.
    • Top notes:
    • Middle notes: spices
    • Base notes: ambergris, musk, vanilla






    The New Yorker, 1925:
    "Blend Ligeia with Afghani, or Chypre with Sousouki, varying the proportions or adding drops of Ming, Yasmai and Nandita, to make the fragrance different and entirely your own. Babani perfumes are on sale at the Salons of Elizabeth Arden."

    Harper's Bazaar, 1925:

    "Nandita: a new Babani perfume, but just arrived from Paris. A fragrance exquisitely smart, contained in a black and gold bottle and packed in a gold box with red satin lining and quaint fastening of gold cord and button. $20."





    Bottles:




    Exceptional clear glass perfume bottle, with rich gilding and black enameled details. Stands 10cm tall. 
    Photo by ebay seller romerobricbrac1





    Fate of the Fragrance:


    Discontinued, date unknown.



    Parfum du Elizabeth II

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     On her dressing table, in her bathroom at the Palais de l'Elysee, during her visit to Paris, Queen Elizabeth II of England found this magnificent bottle offered by French perfumers. It contained a jasmine eau de toilette, specially composed for this occasion of particularly selected essences, and absolutely unique, because the formula is jealously guarded by the Perfumery Syndicate, in case the Sovereign wishes to be replenished. The bottle, 40cm high, weighs 10 kilos and was cut from pure crystal. It bears the inscription: "Homage of French Perfumers to Her Majesty Queen Elizabeth II", and rested in a sumptuous case covered with blue leather, bearing in gold letters the monogram of the Sovereign "EHR". The Eau de Toilette offered to the Queen is thus a quality gift. It will remain the most refined expression of an art in which French perfumers remain masters.


    TIME Magazine, 1953:

    "And for the visiting Queen's own very private use , there will be a single crystal flagon of perfume concocted with the help of the most sensitive nostrils in France as an " homage from the French Perfumers to Her Majesty Elizabeth II ."





    Antique Venetian Foiled Glass Scent Bottles

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    In this guide I will introduce you to the world of Venetian foiled glass scent bottles. These beautiful works of art were produced in Venice and were manufactured for the tourist market during the mid 19th century.

    The foiled glass was flecked throughout with glittering metallic particles and is known as aventurine glass. This glass was named for the type of quartz that is similar in appearance to this type of glass. The Murano glassmakers say that the term aventurine is derived for the Italian word for chance and according to legend, the process was discovered by accident.


    The bottles were made by pressing globs of glass mixed with foil onto the bottles. Millefiori canes with tiny portraits in them decorate some of the most rare of all examples. Another interesting technique is the usage of goldstone threading to create patterns or stripes in the glass. This was sparkling goldstone effect was achieved by adding minute particles of copper into the colored molten glass threads then inlaid onto the hot surface of the bottle.


    The scent bottles typically have ornate gilded brass flip top caps crowned with a glass or semi precious faceted jewel, the caps are usually suspended from chains attached to a ring to hang on a chatelaine or finger. A tiny cut glass stopper should be inside, under the cap, however these aren't always intact as they are easily lost.



    Your bottle may be black (amethyst) glass or a very deep cranberry shade inside. If your cap is loosened from the bottle, hold up the small neck of the bottle to a strong light and you can see the color of the bottle. Caps can be easily re-affixed with dental plaster.

    At times, some bottles will show damage in the form of cracks or chipped areas. If your bottle is the rare style with portrait canes, damage may be acceptable to some collectors. Though be sure to note any damage in your listing.



    Most of the bottles date around the 1860s during the height of the Grand Tours. Some souvenir bottles can be found with "Venice" written on the side in glass. The two most well known makers of these bottles were the highly talented Italian glass artists, Giovanni Battista Franchini and Antonio Salviati.

    Later, the English & Americans began imitating the popular Venetian foiled glass, by blowing glass bottles and rolling them into gold, silver or mica flakes to achieve a spangled effect. The bottles were finished by then casing the bottles with clear glass to protect the sparkling treatment. The English & American made bottles are easily identified as almost every one has a silver or silver gilt cap, so check for hallmarks. These later bottles came about around 1880s and lasted until around 1900 or so.


    Note: I sometimes see dealers calling these scent bottles "Vasa Murrhina". According to Kovels:
     "Vasa Murrhina is the name of a glassware made by the Vasa Murrhina Art Glass Company of Sandwich, Massachusetts, about 1884. The glassware was transparent and was embedded with small pieces of colored glass and metallic flakes. The mica flakes were coated with silver, gold, copper, or nickel. Some of the pieces were cased. The same type of glass was made in England. Collectors often confuse Vasa Murrhina glass with aventurine, spatter, or spangle glass. There is uncertainty about what actually was made by the Vasa Murrhina factory. Related pieces may be listed under Spangle Glass."


    To see some exquisite examples of antique Venetian foiled glass scent bottles, check out these books:
    • Millers Perfume Bottles by Madeleine Marsh.
    • Perfume, Cologne & Scent Bottles by Jacquelyne Jones North
    • Perfume & Scent Bottle Collecting by Jean Sloan



    Antique Victorian Double Ended Scent Bottles

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    In the second half of the 19th century scent bottles and smelling salt bottles were necessary objects for the well to do lady. However, the old fashioned silver vinaigrette container with its pierced grille was no longer in style and was hardly used. Someone came up with an ingenious new container to combine both of milady's indispensables that could be tucked into a muff or hand bag or perhaps serve its purpose on the vanity table. 



    Double bottles were not a new invention per se, known as "gimmel flasks" they had been used since the 1600s to hold oil and vinegar, pharmaceuticals or liquors, however, these usually stood on a common foot to stay upright. In mid-century England, the original idea of fusing two bottles end to end with openings at each extremity was realized as a convenient receptacle..

    These bottles were meant to hold perfume at one end, and ammoniated smelling salts or a sponge saturated with scented vinegar at the other. The bottles were made by welding two separate bottles together, the finest quality bottles have nearly invisible joints. The glass was then finished with polishing and cutting either in simple panels or elaborate multifaceted designs. Both compartments are usually of the same length, though I have seen a longer side for perfume and a shorter side for salts. 

    Look closer at this bottle, it has a hidden hinged middle compartment complete with a pierced grille for vinaigrette.

    Very rarely will you may find a hidden compartment in the middle of the bottles, these are the "opera glasses" type of double ended flacons. This secret hinged compartment could have held a photograph or lock of hair, but if it possesses a grille, it's purpose is for a vinaigrette. 

    By the 1850s double ended scent bottles were in general use and quality differed greatly from expensive versions fitted with silver or gold to mass manufactured bottles with simple pewter or brass caps. Their heyday seems to be between 1865 and 1890, though their popularity started to wane around 1875, they continued to be manufactured until the turn of the century.

    The majority of bottles were made of clear glass, but deep ruby red, emerald green, and rich cobalt blue can also be found. Harder to find colors are glorious purple, vivid teal, jet black and amber glass. My favorites are the bottles that were made with small inclusions of uranium in the mix, resulting in a vivid apple green (a color called annagrun) and a luminous Vaseline (a shade called annagelb), mainly manufactured by Joseph Riedel of Polaun, first introduced around 1850. 




    The rarest of all is opaline glass, made by French glassworks. Some bottles are further accented with enameling on the surface of the glass. A true gem is a bottle with one end one color and the other end a different color, overlay or cased glass examples. Expect to pay a premium for any bottle found in the rare glass colors.













    Bottles are generally in a long cylindrical shape, but novelty shapes do exist in rare numbers, some are in the form of cannons, barrels, opera glasses, etc. Sizes for bottles range from 6” long down to a diminutive 1 ¼” long.






    Other fine bottles were made of porcelain, and more luxuriously, solid sterling silver or gold. These can be found accented with precious gemstones, guilloche enameling, cloisonné enamel, natural tortoiseshell, pearls, fine filigree or other ornate decoration.





    The bottles were topped by either ornate, chased, filigreed, repousse, jeweled, enameled or plain hinged flip top or screw caps made of gilt brass, sterling silver, richly gilded sterling silver, gold or other metal alloys. Some caps have cartouches or blank spaces for monograms. The most expensive bottles have glass or genuine precious stones, coral cabochons, or pearls set into silver or gold mountings.


    Sometimes you will find a carrying chain and ring on the caps for suspending on chatelaines or the finger. The bottles either have screw caps at one end for perfumes, with a little cork or glass stopper to keep the contents from spilling. Some of these stoppers are ingeniously built right into the stopper itself, so with a quick snap the bottle is sealed. The smelling salts compartment in cheaper bottles is usually closed by a screw cap with a cork seal or with a well fitting glass stopper and screw or hinged cap. Better quality pieces will have a patent closure for smelling bottles. 

    Many bottles were made in England, but some were also made in America and Bohemia. English bottles with sterling silver caps will have hallmarks, so be sure to look around the collars and underneath the caps for any markings. One of England’s finest silversmiths, Sampson Mordan & Co is one of the most sought after makers of these perfume bottles, so look under the cap for his marks. His pieces always garner high prices.

    Expensive pieces were often sold in leather cases, lined in satin, sometimes you can find a maker's stamp on the lining.


    Condition plays a part in a bottles value. Since glass is a fragile material, nicks and fleabites can be expected. Larger chips or cracks should be reflected in the selling price. Dents in the caps can sometimes be pushed out by a jeweler, or by you. Sometimes the smelling salts end will have a cloudy appearance due to the ammonia that was in the smelling salts, this results in the acids etching away at the inside of the bottle. This can be hard to remove, but I have had some luck with a product called "lime away".  If you find a bottle still possessing smelling salts, you may wish to remove them and wash out the interior ro prevent further destruction of the glass.

    Collecting Red Glass Commercial Perfume Bottles

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    In this guide I will discuss the various rarest commercial perfume bottle colors of all---the opaque glass pieces.

    Most of the opaque glass perfume bottles that you will encounter was manufactured by the French company, Cristalleries de Nancy between 1924-1934 and came in various colors such as red, green, black, purple and both turquoise blue and yellow ochre being the rarest. These bottles were produced for the following perfume companies: d'Alamode, Bischoff, du Bois, Bourbon, Burdin, de Burmann, Chenier, Drialys,  Marie Magdeleine, Miga, Offenthal, Renaud, Serey and plenty of others. You will see a variety of sizes ranging from 6 1/8" tall down to 2 1/8" tall. I have also seen these perfume bottles called slag glass.






    Mascarade by LT Piver: launched in 1928. Opaque red glass bottle, arched shape,sloping shoulders, molded with swirling shapes. Matching opaque red glass stopper molded with repeating design. Base of bottle acid stamped "France". Bottle can also be found trimmed with gold enamel and gold enamelling on stopper. Mascarade was suggested to be worn by brunettes. The small size retailed for $2.45 and the De Luxe size retailed for $25 in 1928.



    Sweet Pea by Renaud launched in the 1920s. French perfume bottle reddish orange slag opaque glass. Height is 4".






    The opaque glass bottles made by H. Saumont in red, black and green were produced in 1925 for the Lionceau perfumery for their perfumes Parfum Pour Blondes, Parfum Pour Brunes and Fleuve Bleu. Sizes range from 5 7/8" tall down to just 2 1/8" tall.   The H. Saumont Glassworks also manufactured black glass and opaque colored glass bottles for other clients such as Fragonard, Gueldy and D'Amboise.



    Carminade by LT Piver: launched in 1925. Opaque red glass bottle of a tall rectangular shape with rounded shoulders, gilded enamel trim. Colorless glass stopper, entirely gilded. Bottle by Cristalleries de Nancy. Bottle stands 10 cm tall. Exhibited at the Exposition of the Decorative Arts of 1925, in Paris.



    Tryst by Villon: launched in late 1920s. The red slag glass bottle has stepped sides and a black glass bottle with stepped sides. The bottle measures 3 1/4" in height.



    Odeur Charvai by Tre-Jur: launched in 1920s. This replica miniature perfume bottle is made out of red colored slag glass, with a matching stopper that has a matching red crystal on top of it, a paper label, and the bottle measures approximately 1 5/8 inches tall. 





    Duchess of York by Prince Matchabelli: launched in 1934. This is one of the rarest of matchabelli bottles. Made up of opaque red glass with a gilded lapidary stopper. Bottle stands approximately 3.75" tall. Base is acid marked "Made in France, Prince Matchabelli". 



    At the far end of the red spectrum was the pink glass bottles. These are some of the rarest to find and the prettiest in my eyes.  Commercial bottles made up of pink glass are quite uncommon and command high prices when found. The rarest of these bottles are the stunning opaque pink crystal examples manufactured by Baccarat in the 1920s and 1930s. Baccarat enjoyed pairing the bubble gum pink glass with silver gilt trim, which for the era, was probably very avant garde and modern. To further enhance the bottles and to give them an air of luxury, enameled stopper covers were often added to the bottles.



    Sourire de France by Fontanis: Launched in 1926 and presented in a gorgeous bubblegum pink rectangular crystal bottle trimmed with silver overlay enamel. The inner glass stopper is covered by a sterling silver overcap featuring a pink guilloche enamel panel. The name "Sourire de France" is engraved on the front of the bottle. The base has the Baccarat acid mark. The bottle stands 3.25" tall x 1" wide x 3.5" long.






    Astris by LT Piver: This beautiful pink crystal bottle was created in 1927 and produced by Baccarat. The bottle features a star shaped silver gilt detail, with the perfume name molded in the center. The stopper has a step shape and is enhanced with silver gilt trim. The base has the Baccarat acid mark. The bottle stands 4.25" tall. Sold for $2,700 at auction in 2011.


    Pois de Senteur by Miga: Introduced in 1932, Baccarat created this desirable perfume bottle of opaque pink crystal featuring a molded and textured recessed surface design of a stylized floral motif. A rectangular pink glass stopper completes the presentation. The gilded foil paper label is affixed along the side of the bottle. The base features the Baccarat mark. The bottle stands 4" tall. Sold for $2,600 at auction in 2014.


    Hantise by A. Gravier: launched in 1912, this extremely rare Baccarat bottle is made of opaque pink crystal is enhanced with gilt silver decoration of stylized floral and scale type motifs. It rests on a circular brass foot and has a high domed brass overcap covering a glass inner stopper. The bottle stands 4.5" tall. Sold for $2,800 at auction in 2015.


    Le Parfum FF by Forvil: Launched in 1927, this perfume was presented in an opaque pink crystal Baccarat perfume bottle. The bottle features a molded label, silver gilt detail, and is topped by an enameled metal overcap that covers a glass inner stopper. The base displays the Baccarat acid mark. The bottle stands 2.75" tall. Sold for $1,800 at auction in 2015.


    Desir du Coeur by Ybry: launched in 1926. Baccarat produced this interesting Art Deco perfume bottle of pink cased crystal, in a rectangular shape. Curiously, the stopper is jauntily placed at a corner, and is covered by a enameled metal cover. The lovely presentation box is adorned with glass pendant by Rene Lalique and ends in a silken tassel. Bottle stands 4 1/8" tall.



    1000 Joies by Myon: Launched in 1928. This bottle shape is one of the most commonly found of the Myon perfumes. Produced by master craftsman at the Baccarat glassworks, this flacon is made up of opaque overlaid crystal and is in the shape of a stylized angular Chinese ginger jar, a reflection of the Orientalism theme during the Roaring Twenties. The bottle usually features an enameled brass label (missing on the example shown). An inner glass stopper is covered with a gilded brass cover. Original boxes are rare to find and add to the value.



    “XII” by Delettrez: Launched in 1927 and presented in a fabulous Baccarat bottle of molded pink opaque glass, in a narrow upright rectangular form. It has a molded oblong shaped stopper, a small round gold paper hang tag label, and is complete with it's original hand-painted box. The base is marked with the Baccarat acid stamp. 4.5" tall. As a result it's first appearance on the market this extremely rare bottle sold for $24,000 at auction in 2009.



    If you have photos of any other pink glass commercial perfume bottles, please let me know so I can add them here, credit will be given for any submissions.



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