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Vintage 1940s Fan Top Fancy Glass Perfume Bottles Catalog Pages

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The items shown in the following advertisement pages from 1940 and 1941 N. Shure catalogs, are made up of molded glass simulating the high quality cut crystal bottles from Czechoslovakia and Austria. These were made in the USA to imitate the more expensive items that were unable to be imported due to WWII. Some of the companies making these bottles are Imperial,  Duncan Miller, Fenton, New Martinsville and the US Glass Company.



The fan top bottles, the puff box and the glass tray below were made by Imperial.







  The cornucopia bottle below was made by Imperial.


 New Martinsville vanity set shown below.


The fan top bottles, the puff box and the glass tray below were made by Imperial.




 The fan top bottles and the puff box below were made by Imperial.

 The set below was probably made by either Fostoria, LE Smith or Heisey

The fan top bottles, tray and the puff box below were made by Imperial.


The fan top bottles, tray and the puff box below were made by Imperial.




The fan top bottles, tray and the puff box below were made by Imperial.





Faberge Perfumes

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Parfums Faberge was established by F Eugene and Alexander Fabergé in Paris in1922. The company produced toiletries and allied products. In 1936, they opened Fabergé Inc in New York  in association with Samuel Rubin. The company was later acquired by Elida Gibbs of  Cheeseborough-Ponds and latter taken over by Unilever.

The perfumes of Faberge:

  • 1932 Aphrodisia (an aldehydic perfume)
  • 1938 Tigress
  • 1938 Straw Hat
  • 1938 Woodhue 
  • 1943 Daytime
  • 1944 Woodhue for men
  • 1949 Fabergette
  • 1950 Act IV (Act 4) (an aldehydic perfume)
  • 1955 Flambeau
  • 1958 F# (F Sharp)
  • 1959 Activ
  • 1962 Esprit De Parfum
  • 1964 Brut
  • 1968 West
  • 1969 Kiku
  • 1969 Xanadu
  • 1975 Cavale
  • 1975 Brut 33
  • 1975 Musk for Men
  • 1976 Macho
  • 1977 Babe
  • 1979 Partage
  • 1979 Tigress Musk
  • 1980 Cellini
  • 1980 Turbo
  • 1981 Touch of Class
  • 1982 Feminin
  • 1983 Brut Royale
  • 1983 McGregor
  • 1985 Fleurs du Monde
  • 1986 Brut Musk
  • 1994 Joyau
  • 1994 Brut Actif Blue


During World War II, the owner of Faberge Perfumes made a patriotic plea to consumers to buy a war bond before they purchased any of his perfume.

Vintage Lentheric Perfumes

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In this guide, I have listed the various perfumes presented by Lentheric from  1885 to 1989, as well as some brief history of the company. Lentheric produced presentations that ranged from luxury to low-priced and was the first beauty salon with its own perfumes.

Lentheric is an old company which was established in 1795 as a millinery. In the 19th century, fashion accessories were added to the store. From 1873, perfumes were being informally blended in the store for sale and originally made fragrances only on request to his customers. Guillaume Lentheric, a hairdresser, established the perfume-cosmetics company La Parfumerie des Orchidees in 1875 . A large building at 245 rue du Faubourg-Saint Honore in Paris was acquired in 1885 and turned into a salon for millinery, perfumes, cosmetics and important beauty-hairdressing only on request to his customers.

By 1900, branches were opened in Deauville, Monte Carlo, Nice, Baden-Baden, and London. In 1910, the company was acquired by Velsch and Holtz. Later acquired in 1965 by the British American Tobacco group. From 1910-1965, Lentheric managed to produce around 140 fragrances. The company was then sold to Smith Kline Beecham pharmaceuticals in 1985, merged with Yardley in 1993; the name was licensed to International Brands in 1994. In 1998 Lenthéric Ltd was re-established as an independent perfume company under the Fine Fragrances & Cosmetic umbrella.



Bottles designed by C. Depinoix et Fils:
Le Pirate, Le Miracle

Bottles designed by Baccarat:
Ambre Mousse, Violette Orchidee, Shanghai, Royal Caprice

Bottles designed by Julien Viard:
Desir Princier

The perfumes of Lentheric:

  • 1885 Au Fil de L'Eau
  • 1909 Dame en Noir
  • 1910 Le Secret de Marguerite
  • 1910 Swell
  • 1912 Ambre Mousse
  • 1912 Atyche
  • 1912 Chypre
  • 1912 La Feria
  • 1912 Mimosa de Nice
  • 1912 Neos
  • 1912 Royal Caprice
  • 1912 Desir Princier
  • 1913 Tiara Bouquet,a green floral parfum de toilette. Re-launched in 1965 and again in 2000
  • 1913 Le Prenant
  • 1913 Per Alta
  • 1913 Sukina
  • 1913 Violette Orchidee
  • 1913 Tramp, re-launched in 1965 and again in 2000
  • 1916 Coeur de Paris
  • 1916 Shanghai, This is the re-branded fragrance 'Cœur de Paris’; re-launched in 1934 and presented in a flacon designed by Frank McIntosh.
  • 1920 The Perfume of Aristocrats
  • 1921 Coeur Cheri
  • 1921 Secret des Fanchon
  • 1922 Ardans
  • 1922 Cheops
  • 1922 Fleurs Cologne
  • 1922 Fleurs Helene
  • 1922 Bel Inconnu
  • 1922 Ingenue
  • 1922 La Passant
  • 1922 Mi Vida
  • 1922 Mon Reve
  • 1922 Muguet d’Altesse
  • 1922 Nilus
  • 1922 Philine
  • 1922 Princess Mary
  • 1922 Rose de Rose
  • 1922 Sec Marguerite
  • 1922 Orkidee
  • 1922 Jasmin Orchidee
  • 1922 Fougere Orchidee
  • 1922 Lilas Orchidee
  • 1924 Confret de Ma Poupee
  • 1924 Lotus d’Or
  • 1924 Sourire de France
  • 1924 Miracle
  • 1925 Lotus
  • 1925 Maharajah de Kapurthala
  • 1925 Le Martin au Bois
  • 1928 Parfum 12
  • 1928 Asphodele
  • 1928 Foret Vierge
  • 1928 Le Pirate
  • 1930 A’Bientot (an aldehydic perfume)
  • 1930 Iceberg
  • 1931 Numero Douze
  • 1932 Tombola
  • 1933 Numero 12
  • 1933 Tweed
  • 1934 Turf
  • 1934 Bouquet Lentheric
  • 1934 Clandestine
  • 1934 Escapade
  • 1934 Persistence
  • 1935 Dykil
  • 1935 Cabana
  • 1935 Vagabond
  • 1935 L'Intuition
  • 1935 Bel Masque
  • 1935 Dykil
  • 1935 Gardenia de Tahiti
  • 1935 Home Spun
  • 1935 Risque Tout
  • 1935 Scotch Mist
  • 1936 Mazurka Russe
  • 1937 Anticipation
  • 1937 Espionnage
  • 1937 Plaid
  • 1937 Realization
  • 1938 Caravan
  • 1938 Carnation
  • 1938 Cloak of Night
  • 1938 Quin-Essence
  • 1938 Smoke
  • 1938 Soon
  • 1939 Bal Masque
  • 1939 Confetti
  • 1939 Jeanina
  • 1939 Gaiete
  • 1939 Le Triangle de Fleurs
  • 1939 Mavourneen
  • 1939 Sky Lark
  • 1939 Vieille France
  • 1939 Tomorrow
  • 1940 Picnic
  • 1940 Pink Party
  • 1940 Blind Date
  • 1940 Jeune Fille
  • 1940 Daisy Chain
  • 1940 Birds In A Gilded Cage
  • 1940 Family Album
  • 1940 Tiara
  • 1940 Picnic
  • 1941 Sous-Zero
  • 1941 Anchors Aweigh
  • 1941 Birds Of A Feather
  • 1941 Hell-Bent
  • 1941 Heart Throb
  • 1941 Band Box
  • 1941 Beige
  • 1941 Happiness Choo-Choo
  • 1941 Ditty Fox
  • 1941 Wildfire
  • 1941 Tanbark
  • 1941 Little/Small Slam
  • 1941 Sous-Zero
  • 1942 Folk Dance
  • 1942 Tombola, relaunch
  • 1942 Le Miracle
  • 1942 Bataille de Fleurs
  • 1944 Ransom
  • 1944 Reunion
  • 1944 Kubla Khan
  • 1945 Feu Sacre
  • 1945 Black Sunlight
  • 1945 Seersucker
  • 1945 Deep End
  • 1945 Pale Blue
  • 1945 Parachute
  • 1945 Simpatico
  • 1945 Trouble
  • 1946 Beyond
  • 1946 Formidable
  • 1946 Center of Attraction
  • 1946 Occasion
  • 1946 China Poblana, a Mexican revolutionary heroine
  • 1946 Feu Froid
  • 1946 Sometime
  • 1946 Don Quixote
  • 1946 Rampant
  • 1946 Turban
  • 1946 Small Talk
  • 1946 Voom
  • 1946 Vivid Black
  • 1946 Dark Brilliance
  • 1948 Critics' Choice
  • 1948 Pale Black
  • 1948 Gendarme
  • 1948 Stepping Out
  • 1950 Repartee
  • 1950 Icicle
  • 1953 Galaxy
  • 1953 High Tension
  • 1953 Adam's Rib (a floral perfume)
  • 1953 Royal Rose
  • 1953  Three Silent Messengers
  • 1954 All Stars
  • 1955 Musketeer
  • 1956 Aerolian
  • 1956 Lentheric 12
  • 1958 Red Lilac
  • 1958 Ripple
  • 1960 Gay Bird
  • 1964 Onyx
  • 1966 Black Label
  • 1968 Pagan
  • 1972 Miss Lentheric
  • 1973 Jungle Gardenia
  • 1973 Just Musk, re-launched in 2000.
  • 1976 Chique
  • 1977 Gold
  • 1978 It
  • 1979 Panache
  • 1979 Elle
  • 1981 Mystique, relaunced in 2000
  • 1982 Pure Silk
  • 1983 Finesse, relaunched in 1997
  • 1984 Lace
  • 1985 Joie de Vivre, relaunched in 1997
  • 1985 White Satin
  • 1986 Hallmark
  • 1987 Style
  • 1989 Fashion
  • 1991 Fleur
  • 1992 Tweed, re-launched in association with Yardley (FFC) with a slightly altered formulae created by Arthur Burnham.
  • 1997 Solo pour homme
  • 2001 Lavender
  • Air de France
  • Chypre Lentheric
  • Dunbar
  • Feria
  • Out of the Blue
  • Pre Catalan
  • Rebel
  • Repartee
  • Essence of Tweed
  • Muguet
  • Mystere
  • On Hand

Tokalon Perfumes

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Tokalon of New York City & Paris France. Originally a British company To-Kalon, possibly established before 1900 as a chemical-pharmaceutical company. They also produced laundry soaps in addition to cosmetics, toiletries and beautiful , luxurious perfume presentations.

They opened an important branch in Syracuse,NY and Francis B. Mastin became proprietor in 1910.

Another branch was situated at:
Tokalon, Inc.
27 West 20th Street
New York, New York

The Company later diversified into property as Societe Immobiliere, Franco-Anglo-Americaine.

The perfumes of Tokalon:

  • 1912 Flor Azur
  • 1912 Mysteria
  • 1914 Rouge Oriental
  • 1914 Petalia
  • 1922 Buda
  • 1922 Adurea
  • 1922 Ponette
  • 1922 Songe D'Orient
  • 1922 Fascination
  • 1922 Serie Classique
  • 1923 D'Ara
  • 1926 Parfum de Mon Chateau
  • 1926 Chateau d'Azvr
  • 1926 Chateau
  • 1927 Demon Chateau


JS Halin, Collector of 2500 Perfume Bottles

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Photo from 1935 showing perfume bottle collector JS Hanlin, who believes that "perfume bottles are exquisite things" and has been collecting for 14 years. Among his collection of 2500 bottles are gorgeous Czech, Baccarat, jeweled examples and atomizers, some DeVilbiss and others. I don't believe there are any commercial bottles in the cabinet shown.




Dolores Del Rio and Her Perfume Collection

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Dolores Del Rio and her beautiful perfume collection.



In this photo I spy:
Parfum des Champs Elysees by Guerlain
Jungla by Myrurgia c1933
unknown early Elizabeth Arden
Secret de la Perle by Pleville c1926
two Prince Matchabelli bottles
La Jacee by Coty
Sans Adieu by Worth c1929 (Lalique bottle)
Les Lys by D'Orsay c1922 (Lalique bottle)

I cannot make out all of the bottles, but if you can, please comment below

Amour Supreme by Elizabeth Paris c1947

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"SPECIALLY DESIGNED CASE FOR ELIZABETH PARIS" A specially designed case to hold a perfume called "Amour Supreme" is admired by a young Parisian. Bith the case, of navy blue shagreen lined with white moire, and the Bohemian crystal bottles, were designed by Norman Alberman. This will be the gift of Lady Nada Milford Haven, aunt of Lt. Philip Mountbatten, to Princess Elizabeth on the occasion of her marriage. Alberman is the noted perfumer who spent five years in a Nazi prison camp. 10/27/1947."
The perfume was made for Queen Elizabeth II, who was at the time still only a princess, but married Philip Mountbatten. According to history.com, "she paid for her wedding dress with ration coupons.
Princess Elizabeth married her third cousin Philip Mountbatten, formerly prince of Greece and Denmark, on November 20, 1947. Held during the postwar recovery years, their wedding was a relatively understated affair, at least compared to the lavish union of Prince Charles and Lady Diana Spencer in July 1981. With austerity measures still in effect, Elizabeth had to save up ration coupons to purchase the material for her wedding dress, an ivory satin gown designed by Norman Hartnell and encrusted with 10,000 white pearls."

Looking at the perfume atomizer in the center, it appears it is fitted with Marcel Franck hardware.


Elizabeth and her new husband Philip pose on their wedding day. (Credit: Keystone-France/Gamma-Keystone via Getty Images)
 

Parfums Astrologique Cie

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Parfums Astrologique Cie was established in 1930. They were located at 730 Fifth Avenue, New York City.



Their gimmick was to assign each astrological sign a different perfume.

  • Aquarius-January
  • Pisces-February
  • Aries-March
  • Taurus-April
  • Gemini-May
  • Cancer-June
  • Leo-July
  • Virgo-August
  • Libra-September
  • Scorpio-October
  • Sagittarius-November
  • Capricorn-December


The Milwaukee Journal, 1930:
"Scents to Match the Season. The ballyhoo about matching up perfume and personality has reached a new peak with the line of Parfums Astrologique, which have just been put on the market, with twelve contrasting odors, each of which is supposed to accord with one of the twelve astral personalities. To find your perfume, you consult an astrological chart, find the sign of the zodiac under which you were born and choose the accompanying perfume.  The odors are pleasant bouquets, quite apart from their mystic pretensions and come in circular onyx bottles, with a small gazing crystal for the stopper."


The Brooklyn Daily Eagle, 1931:
"Astrologique Perfume a bottle Last Year's Price Was $15.00, Actual Selling Figure $1.79. We are featuring this perfume this year. Perfumes must be entirely different for each distinctive type of woman. Decide upon her type and then decide upon the perfume. Heilbronn's have an unusual collection of all popular brands. Beautiful containers for Christmas gifts! Specially priced."

The bottles from 1931 are tall, square black glass bottle, button stopper, gold foil label. Bottle probably by Cristalleries de Nancy. Stands  3 ¾ " tall.

Whitall Tatum Perfume and Cologne Bottles c1898 Advertisement

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Whitall Tatum Perfume and Cologne Bottles as shown in an 1898 Victorian era advertisement.





Fidji by Guy Laroche c1966

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"Exquisite blend of the scents of paradise..."

Fidji was launched by French clothing designer Guy Laroche in 1966.


L'Oreal, has owned the Guy Laroche name since the 1960s under their US division, Cosmair. Lancome, was a small company at the time, and had just acquired the Prestige division of L'Oreal. Fidji's name was chosen by Lancome's president Jean Menet, who spun around a globe looking for a short and catchy name and settled on the tropical Fiji islands in the South Pacific.


Together with Guy Laroche's advertising director Michel Bedin, the duo conceived the ideas for the packaging and distinctive bottles as well, with the help of Lancome's head of perfume marketing, Robert Salmon. Robert Salmon's bottle design for Fidji was inspired by the bottle of one of Lancome's early perfumes, Tropiques, which debuted in 1935. Sales were modest during the early years, and the Guy Laroche team was fortunate to be part of Lancome since it took seven years before the line made a profit.
 .


The advertisements featured a naked, kneeling woman cradling a large Fidji bottle, other less risque ads depicted a clothed woman. The parfum and eau de cologne have aged to a deep orange, brandy like color now.

So what does it smell like? It was originally classified as a floral green fragrance for women. Fidji was the first floral note united with a fresh green tonality, setting a new trend in fragrance composition. The fragrance idea was inspired by the classic chypre base of Miss Dior and the rich, florals  and woodsy notes found in L'Air du Temps. Certainly not a fragrance one would readily associate with the tropics, in fact, IFF's Josephine Catapano, a perfumer that created the fragrance had mentioned that Fidji "was a modern version of L'Air du Temps."

She was never in contact with Robert Salmon directly but was advised by other members of the firm, who she stated that they told her that Salmon had simply requested "something very feminine and easy to wear, light, fresh and very floral." Curiously, though, she was unaware of the perfume's name until the very last moment. The heart of the fragrance is it's secret one of a kind accord created by IFF,  a scent that carried the strong impression of the ethereal scents of blossoms floating in the air.

  • Top notes: aldehydes, Spanish galbanum, hyacinth, lemon, bergamot and Moroccan orange blossom
  • Heart notes: Florentine iris, Bulgarian rose, Italian jasmine, violet, English lilac, Madagascan ylang ylang, French carnation, Egyptian tuberose
  • Base notes: Indian myrrh, Persian musk, Malaysian patchouli, Mysore sandalwood, balsam of Peru, amber, vetiver and oakmoss

Fidji was presented in a bisected clear rectangular bottle with a black stopper designed by Serge Mansau, who perfected and refined the sketches of the bottle, the stopper was sealed with black silk thread.




In 1968, Guy Laroche introduced his "Douceline" bath range, influenced by the successful Jean Nate bath line, comprised up of five bath essentials delicately and subtlety perfumed with Fidji. A milky bubble bath, beautifully packed in a big round drum with a little matching measure, it foamed up in the bath and turned the water all milky and made your skin soft. Also included was a deep green bath oil that was also designed to be used directly on the skin too, this came in two sizes.

After bath, you could apply some amber colored friction lotion that came in a bottle that matched the bath oil bottle. After that you could rub some lotion onto your skin and pat on some dusting powder. Later, emollient talc, perfumed cream, perfumed body shampoo and bath soap was added to the bath line. These items were originally packaged in white boxes adorned with a silver chain embossed trim. Later they were packaged in blue and white boxes.





By 1973 you could get Fidji in an eau de toilette or eau de cologne spray. In 1975, an aerosol cologne spray was introduced. In 1977, the eau de parfum natural spray and Fidji du Soir Spray Mist Eau de Toilette Concentrate a sultry night time version of Fidji came out.

By 1973 you could get Fidji in an eau de toilette or eau de cologne spray. In 1975, an aerosol cologne spray was introduced. In 1977, the eau de parfum natural spray and Fidji du Soir Spray Mist Eau de Toilette Concentrate a sultry night time version of Fidji came out.


There also exists a rarity called Fidji en Noir, it was parfum housed in a little black glass refillable purse bottle. Note that the bottles with gold caps date to 1978 and after when the packaging got a classier look.



Package Engineering, 1978:
"Gold finish gives new cologne a 'touch' of class Fidji Cologne Spray Mist, one of a number of Fidji fragrance products being marketed by Parisian designer Guy Laroche, uses Ethyl Corp.'s noMar. The total esthetics of the package are enhanced even further by the square bottle from Wheaton Glass. Fidji Cologne Spray Mist is packaged in 0.9-, 1.8-, and 3.8-ounce bottles."

In 1973, a gift set included a small silver tone or gold tone shell pendant. In 1974, a Fidji filled perfume pomander was made as an interpretation of the pomanders worn by fashionable ladies of 16th century royalty, it was meant to be suspended on a chain pin or belt.

The Ambiances Fidji line of 1980 included a series of products including incense sticks and candles which would allow one to perfume her living quarters with the lush, unmistakable scent of Fidji.Guy Laroche was the first French designer to enter this market at the time. Ambiances Fidji sales represented 21 percent of Fidji sales volume.

In 1983, a shortlived flanker scent, Fidji En Fleurs was released, described as a "gentle blending of delicate flowers blooming in a lush green forest".

By 2001, L'Oreal had discontinued Fidji, but relaunched it in 2003 due to the many petitions of loyal Fidji fans, however, please note that this version is reformulated and not the original. You can still purchase the new Fidji today at many perfume discounters. It is available as eau de parfum and eau de toilette as shown below.





 The vintage versions, which were originally colored green, have aged to a light yellow to the orangey brown color of brandy. This is due to oxidation of the perfume ingredients, which will change color and degrade due to exposure to heat and strong light over the years. It is recommended that you keep your perfume inside of its original box and stored away in a place that is cool and dark so that your fragrance will not turn sour and unwearable.

The reformulated version:
  • Top notes: galbanum, hyacinth, lemon and bergamot 
  • Heart notes: rose, jasmine, violet, ylang-ylang and carnation 
  • Base notes: musk, patchouli, sandalwood, amber, vetiver and tree moss


Parfumerie L. Plassard

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Parfumerie L. Plassard of Paris France, established in 1815 as Demarson, later Demarson et Cie, plus other variations of the name; at 17 rue de Quatre-Septembre, Paris; a perfume and cosmetic house of note; acquired by Louis Plassard in 1894, renamed the company accordingly.

The company exhibited regularly in 1819, 1839, 1844, 1849, 1855, 1867, and 1878, under the various names over the years. They were awarded many prizes at the exhibitions.  Their most impressive presentations were before 1930, after 1930, their quality lessened. Some of their finest perfumes were housed in Baccarat crystal flacons.

The perfumes of Plassard:

  • 1900 Ardent
  • 1900 Memoires de Paris  
  • 1900 Kicdolis
  • 1900 Amour Ardent
  • 1900 Œillet Nain 
  • 1901 Muguet d'Yvelines
  • 1905 My Love
  • 1905 Violette de Fevrier 
  • 1905 Bruyere des Cevennes
  • 1908 Suzelia (soap)
  • 1910 Violette Blanche
  • 1910 Jasmin (from Pluie de Fleurs line)
  • 1910 Cœur Volant 
  • 1910 Les Roses de l'Hay
  • 1910 Fleurs Joyeuses
  • 1910 Rêve de Valse 
  • 1911 Une Femme Passa
  • 1911 Enomis
  • 1911 Les Elfes
  • 1912 Chypre
  • 1925 Djola
  • 1927 De Fleur en Fleur
  • 1928 Dyne
  • 1939 A Travers Bois
  • 1940 Oeillet Noir
  • 1945 Ambré 
  • 1945 Bouquet de Paris
  • 1945 Matsi
  • 1945 Bagatelle
  • 1945 Avrilleé
  • 1945 Conclusion
  • 1945 Cuir
  • 1945 Muguet
  • 1945 Tabac
  • 1945 Reverie

Perfumery and Essential Oil Record, Volume 4, 1913:
"P. L. Plassard, specialising on eau de Cologne, is also worthy of mention as being about to celebrate its centenary."

Lanselle Parfumeur

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Lanselle Parfumeur

Established by René Lanselle and Francois de Perthuis at 5 rue Montaigne, Paris in 1930. Also associated with Les Parfums Verchère.








In 1945, they moved to 6, Rond-Point des Champs-Elysees, Paris.

Interestingly, the names of their first perfumes used card game terminology such as Banco, Sans Atout (No Trump), and Martingale.

A popular presentation named "Série des As" or "Les 4 As" held the four card themed perfumes Coeur (Heart), Trefle (Clover), Carreau (Diamond) and Pique (Spade). Another presentation was named "Les 5 Extraits de Luxe - Bridge".



Banco, which means "bank", was a unique perfume with a floral start ending with a base of leather.

Martingale is named after a gambling system of continually doubling the stakes in the hope of an eventual win that must yield a net profit. The perfume is warm floral chypre with ylang ylang.

Forcing, a bridge term, is a sweet floral with notes of valerian, heliotrope and rose on a chypre base laden with oakmoss and civet.

Coucou, whose name means "Hello" or "cuckoo", was created specifically for the American market. This perfume is classified as warm oriental with notes of jasmine and rose. The interesting bottle is molded as a tree adorned with feather plumes simulating a fanciful cuckoo bird. The pretty box design was created by F. Guerycolas.



The perfume bottle for Valenciennes was undoubtedly the prettiest from the house. Made up of satin glass and molded with waves and flags, it had a footed vase like shape with a flat disk shaped molded stopper. manufacturer unknown, but resembles the quality of glass made by Verrières de la Bresle.

Lanselle also released a few men's fragrances: L'Écusson Bleu (Blue Crest) a lavender based eau de cologne and L'Écusson Or (Gold Crest).

In addition to perfumes, Lanselle produced face powder, Poudre de Lanselle, in fourteen different shades, most likely scented with their popular fragrances.

Lanselle's fragrances were eventually discontinued, as the company went bankrupt in 1950. They were acquired by Les Parfums Verchère, a division of Parfums Jerome.

The perfumes of Lanselle:

  • 1932 Sans Àtout
  • 1932 Trèfle
  • 1932 Carreau
  • 1932 Piquè
  • 1932 Cœur
  • 1932 Banco 
  • 1939 Coucou
  • 1940 Valenciennes
  • 1940 Victoire
  • 1941 Forcing
  • 1941 Martingale 

Paris shopping directory, 1945:
Entendu, après la Victoire ", m'avait dit M. Lanselle lorsque je l'avais quitté alors qu'il partait rejoindre son unité en août 1939, et lorsque je lui ai téléphoné hier, j'ai reçu le même accueil cordial: "Oui, venez demain à 11 heures". Et j'ai trouvé lorsque je lui ai téléphoné hier, j'ai recu le meme accueil cordial""Oui venez demain a 11 heures."  
Et j'ai trouvé M. Lanselle, installé dans ses nouveaux bureaux du Rond Point des Champs-Elysées où les différents   corps de métiers s'affairent encore à la décoration de ses somptueux salons d'exposition. Déjà apparaissent les blancs et les ors qui feront le fond de ce décor bien francais où bientot se retrouveront les visiteurs et acheteurs de France et l'etranger. 
Immediatement, je lui pose la question "Quelles sont vos realisations? Quel sont vos projets" 
"Vous connaissez notre devise : La Maison Lanselle ne sollicite pas, elle s'impose.
"Pendant la guerre, grâce au travail acharné de mon associé, M. de Perthuis, et de ses collaborateurs immédiats, nous avons pu réaliser un programme nouveau de produits de beauté dont la vente va sans cesse en augmentant.
 
J'ai posé la question à M. Lanselle: "Son nom ? " 
"C'est tout un programme...Victoire." 
 "Nous avons continué à sortir notre "Série des A's", "Pique", "Trèfle", "Coeur", "Carreau", "Sans Atout", dont le succès avait déjà été consacré avant la guerre et qui sera bientot présentée  dans un écrin luxueux. 
 "Puis ce fut notre série suivante : "Banco" sur lequel je fonde les plus grands espoirs, au départ fleuri se terminant par une note de cuir tres particulière et très originale.
"Martingale",  qui nous apporte les chaudes senteurs de l'ylang se fondant dans le chypre et les fleurs de nos forêts.
 
"Forcing",  où l'héliotrope, la rose et la valériane se rejoignent dans une suave fragance.
"Pour l'Amérique, nous avons sorti "Coucou", parfum chaud où le jasmin et la rose retrouvent les senteurs de l'Arabie et dont la presentation d'avant garde attire l'attention de notre clienete anglo-saxonne"
 
Lanselle Parfumeur vous présente : — Ses extraits de grand luxe : "PIQUE""BANCO""MARTINGALE""FORCING""COUCOU".

Les Parfums Verchère

Les Parfums Verchère was established in Clichy, France, in 1947 was a division of Parfums Jerome. The company was located at  56 Faubourg Saint-Honoré, Paris, France. They launched a range of fragrances in the 1940s-1950s and was associated with Parfums Lanselle, I think they took over Lanselle and sold some of their perfumes under their own label.

The perfumes of Verchère:

  • 1945 Desormais
  • 1945 Paddy
  • 1945 Toast
  • 1950 Jérôme
  • 1950 Piquè de Lanselle
  • 1950 Valenciennes de Lanselle
  • 1950 Vaudeville
  • 1953 Banco de Lanselle
  • 1953 Braconnage
  • 1953 Carreau de Lanselle
  • 1957 Cheek to Cheek

Favolys Perfumes

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Favolys, established in 1925 at 1 rue Pierre-Joigneaux, Asnieres (Seine) France, by Rene Desseignes who also established Parfumerie Francis in 1924 and Rendes in 1924, all of these companies were very short-lived and their bottles are rare.

Rendes was established by René Desseignes, name derived from 'Ren' from first name, and 'des' from surname.

Favolys was acquired by Nissery and was renamed Favolys Nissery in 1928.

The perfumes of Favolys:

  • 1925 Glyciane
  • 1920s Dolene
  • 1927 Favolys Bouquet

The perfumes of Rendes:
  • 1925 Ting-shang
  • 1925 Ambre


Suiting the Perfume to the Personality

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The Brooklyn Daily Eagle, 1925:

Suiting the Perfume to the Personality Now Has a Definite Technique
 by Martha Shaw 
Ann Haviland Explains How She Finds the Proper Blend of Floral Oils to Accentuate What Individuality a Woman Has
HUSBANDS may come and husbands may go, but once a woman finds a perfume which expresses her personality she never changes it. This is on the authority of Ann Haviland, perfume artist, who for more than twelve years has been blending the floral oils of southern France and the roots and herbs of the Far East into sweet-smelling scents for New York's fashionable society. 
"Most people are just types," Miss Haviland said, "but society women, however much maligned, are keen enough to know this and honest enough to admit it, and they are clever enough to strive, in every way to accentuate what individuality they have. A perfume that expresses a personality helps or.e to stand out from the type she falls in, and that's one of the reasons people come to me to have perfumes blended. 
"Some people speak of suiting the perfume to the personality as if it were fortune telling." Miss Haviland commented. "Really it has a definite technique like any other art.
"When a stranger comes for me to blend a perfume to bring out her personality, naturally the tells me something of herself. Then her appearance tells more than her conversation. After that I ask her to smell the oils of different flowers." 
"The muscles of her face respond differently to each odor. At least one odor brings a response in the muscles of her face that experience has taught me is the proper reaction for her. Usuall,  this odor is a blend of a number of floral oils, for all the time we have been talking together I have been blending different oils and offering them to her. Sometimes she tells me she prefers another odor than the one I have selected. 
Occasionally I allow myself to give her what she thinks she wants, even though it is against my judgment. Soon she is dissatisfied and asks for the odor I suggested at first."
"Usually, when I can't agree with a customer I ask her to try the odor I have selected for her a little while, and if she tires of it to change it then. In all the years of my experience blending individual perfumes, none has ever changed a scent under those circumstances." 
A perfume used year after year, will influence the expression of a face, according to Miss Haviland. Odors are so elusive that their effect is almost entirely on the subconscious mind. If the odor is entirely harmonious, the face will reflect this feeling of well being; if the odor is at all irritating to the individual, the face, for no apparent reason, will assume gradually an irritated expression.  
"When is a girl old enough to use perfume? One may form the habit in babyhood. Not genuine, heavy perfumes." Miss Haviland explained hastily, "but many young mothers have mild sachets for their babies, such as orris root sachets. For children and young girls, I recommend only mild sachets and perhaps floral water.  
"Only the woman mature enough for society may use an individual perfume, in my judgment. She may use it because it pleases the esthetic senses, and for the selfish reason that she must dominate, if she can, that heavy odor of smoking that prevails everywhere these days at the tea, the formal dinner and the dance." 
After listening to the counsels of Miss Haviland, one realizes that perfumes should be handled as judiciously as poisons.  
"Just a touch of perfume on the hair, , the palms of the hands, perhaps on the furs," Miss Haviland decrees. "Then the odor will never become stale. The prejudice against scents has grown up because there is nothing that condemns a person more eternally than stale perfume, and any perfume will become stale after it has been on a handkerchief a little while." 
 The woman in business need not forego perfumes, in the opinion of Miss Haviland, but she must restrain herself and -use only sachets and floral water, as she has not the need during the day for heavy perfumes that her social engagements after business hours may justify.  
As a nation, the Americans do not use perfumes as lavishly as the peoples of Continental Europe, but now that the American woman has begun to give thought to individual blends, the American business man has become personally interested in perfumes.  
 "A number of my women patrons have increased the quantity of perfume I blend for them because their husbands have started in using their individual stock in the last few years," Miss Haviland said. "Most of the women are quite chagrined about it, for an individual blend is expensive and they feel that their husbands should be contented with something simpler than the perfume they buy out of their allowance, but apparently the gentlemen will not be misled by substitutes.  
"Men have a stronger sense of smell than women, as have males all through the animal kingdom. Men, too, are more discriminating in their tastes than women. That's why the American business man is gradually abandoning the florid barber shop tonics for a few drops of perfume surreptitiously taken from his wife's flacon." 
The American man, generally, is interested in scents for his room rather than in individual perfume for himself. He likes to throw East Indian herbs on the fireplace in his library to counteract the mustiness of his rare old books. Then, too, he likes the romantic effect that the odor of burning roots gives his home. The scents of spice and musk take him away for a little while from the world of stocks and bonds.  
Some women are opposed to perfumes. They are the type of women who are given to sniffing and saying "Hussy!" when they meet another woman who uses perfume. Miss Haviland said that if this type of woman would give a little more thought to extending her personality, even by means of perfumes, there wouldn't be so much unhappiness in store for her in the future.  
Patterning after the society woman, who selects her perfumes judiciously, the unimaginative little housewife can go far toward creating an atmosphere of illusion about herself that will cause the otherwise shrewd husband to believe she is not one of a type, but a mysterious creature he must devote his spare time to cultivating socially. 
Of all the single odors, violet is the most enduringly popular. Probably this is because the violet suggests femininity rather than because its color attracts. Most persons prefer blends of perfumes. 
"No matter how diversified the tastes of a family, their individual perfumes will never clash," said Miss Haviland. "A good scent is too elusive to obtrude on any one's sensibilities. I have one family where the husband and wife use a gardenia blend, one daughter has a special Persian rose scent, and the other daughter has a violet blend. This family has been coming to me for ten years. The girls have grown up and married during that time; they have met new people and experiences, but neither of them wants to change her perfume. It has become a definite part of her personality." 
Ann Haviland comes from Maryland, where tradition says everyone has a garden of old-fashioned flowers.  
"Here in New York we would call those Maryland gardens uncultivated," Miss Haviland admitted, "but to me they are still the loveliest gardens in the world. America has no beds of flowers and herbs to use for perfumes. Our American perfumes are all synthetic products.  
"My perfumes are of floral oils, brought from southern France. My scents are of herbs and roots brought from Java, Persia, India, Hawaii, the South Seas from all over the world. We have here nothing that can compare with the spice odors of the East. Then, too, in perfume there is romance, and for our touches of romance most of us solid, substantial Americans look to France and the Far East." 
Miss Haviland's method of choosing perfumes to suit the personality seems like a practical one. So many times we have sniffed one bottle after another in a perfume shop to find the one we considered most suited to ourselves and our station in life. But so often we have been disappointed in our choice after we got it home. If there were only someone who knew, who could tell us what we wanted! And so e have gone blundering along, trying one kind after another.


Black Americana/Memorabilia Perfumes

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The following posting is based on historical and relevant perfume information on Black Americana/Memorabilia and is not intended to offend or upset anyone, but rather used as a reference guide.

Black Americana themed perfume bottles remain some of the lesser known collectibles on the market but are slowly gaining in popularity. Once thought of as offensive, they are now being seen as important historical Black Memorabilia and collectors of all races seem to enjoy the little caricatures that were at one time based on stereotypes. Perfume bottles, related trade cards, perfume labels, powder boxes and other related items would look interesting when all grouped together in a vignette.

The height of the Negro themed perfume bottles was in the late teens and into the 1920s. With ragtime music already being played, Jazz was seen as something new and exciting. When French star Gaby Deslys returned home from performing abroad, she brought with her the first all black Jazz band and interest in things Negro related were beginning to be produced. The French saw the band as novel and were readily accepting them while Americans were shunning them.

In America, the blacks were being stereotyped into everything from watermelon eaters, alligator wrestlers, chubby mammies, black horse jockeys and parodied by black faced minstrel shows. Today, these portrayals may seem politically incorrect to some, but to others they represent some of the early histories of the Africans in America.

Elsewhere, the glamourous black American singer and dancer, Josephine Baker and her all Black Jazz band revue toured Paris and gained even more popularity. This led to Negro influenced jewelry, fashions, artwork and other items began to be manufactured by the French.

Le Golliwogg by Vigny:

The best known Black Memorabilia perfume bottle is the adorable Le Golliwogg by Vigny Perfumeries of Paris, France in the 1920’s. The bottle design and name Golliwogg are directly inspired by a character created by Florence K. Upton around the turn of the century. The English writer based her books on a popular American rag doll. Vigny took the idea and applied it to their perfume line and advertised Le Golliwogg as a “lucky lil fella” and the fragrance as “the perfume of romance.” Michel de Brunhoff was the creative genius who designed all of the Art Deco figural bottles and labels.

Vigny’s bottle stoppers were of black glass molded with wide open eyes and a large smiling mouth enameled in red. The top of the stopper was fitted with real seal fur which is not always intact on bottles found today. The rarest of all bottles, were the first presentations which had no hair, these are not to be confused with the stoppers found today missing their hair. The bottle, itself, was made by Verreries Brosse and the satin glass bottle was the first made in the series of bottles that were to change over the years. Later bottles were made up of clear glass. Baccarat produced two bottles for the perfume, one is cylindrical #524, and the other a large round, disk shaped bottle #378.

Le Golliwogg’s famous bottle came in several sizes ranging from a miniature of just 2 ¼” tall to the largest, the deluxe size, which stood 4” tall. Other products in the range included: face cream, face powder, lotion, and rectangular shaped bottles with stoppers fitted with long daubers. A small bronze and enamel pin can often be found with Golly’s cute face. This same motif can be found as a matching metal pendant inscribed with "Vigny Golliwogg" and "Lucky Charm."

The bottle shown on the left is being sold by Stonegate Antiques on Trocadero. The bottle on the right is the Baccarat flacon version of Vigny's Golliwogg and features Golly's face on the label. Baccarat #378 from 1919.

Other lesser known perfumes:

Jasmine by Cameo features a black celluloid stopper in the shape of a stylized black face wearing a top hat, this design must have been inspired by the black minstrel shows so popular at the time. I believe that this bottle may have held other scents possibly by other perfume companies or by Cameo. Photo by eBay seller sylviastresures

Both Golliwogg and Jasmine both feature googly eyed faces with broad smiling red mouths.

Another perfume bottle was made up of glass molded in the shape of an alligator, with an open mouth, its stopper was a stylized African American’s head. During this time, alligators and negros seemed to go hand in hand, shown in a lot of advertising, postcards, valentines and cartoons as well as cast iron banks, and small porcelain novelties made in Germany, Japan and in the USA.

From the early 1900s up until around the 1930s, companies in Germany were producing very thin walled and ultra delicate glass bottles in figural shapes, often of animals, birds and sometimes people, these bottles were used for both perfume and liquor. But every once in awhile, one can find the little fragile Negro figural bottles. Most bottles ranged in size from 2” and up. These bottles were usually sold empty to perfumers in the USA and France, who would then use the bottles to package their own perfumes. I believe that a majority of these bottles were based on the popular Kewpie figures that were painted black and named Hottentots.

This cute German scent bottle was recently sold by Stonegate Antiques on Trocadero. Their description is as follows: ”In excellent condition, this little piece of vintage Black Memorabilia, features hand-painted legs, hands, and a very sweet and whimsical face! This piece is diagonally incised "Germany" across the back of the bottle and dates to the 1930's. These sweet little bottles typically experienced a second life as Christmas tree ornaments once their contents were exhausted, and thus, not many survive today!”

One cannot speak about Black Memorabilia without mentioning the first female millionaire, the progressive African American businesswoman and entrepreneur, Madame CJ Walker. Madame Walker created her own perfume and toiletry business and employed blacks to sell her products via door to door. This gave her black American employees a sense of pride, independence and accomplishment that they might not have found elsewhere due to the prejudices and restrictions that were placed on them during the late 1800s and early 1900s.

"I am a woman who came from the cotton fields of the South. From there I was promoted to the washtub. From there I was promoted to the cook kitchen. And from there I promoted myself into the business of manufacturing hair goods and preparations....I have built my own factory on my own ground." 
-Madam Walker, National Negro Business League Convention, July 1912

Parfumerie Chamberry of Belgium, circa 1920-1925 had a beautiful perfume label featuring a young black child's head as a prominent design motif.

The “So Sweet” perfume by Corning & Tappan NY featured a label on the front with a pair of little Black Kids sharing a peppermint stick,. This perfume came out in 1880 and may have been discontinued by 1900. The actual perfume name is “Tho Thweet”, a reference to black dialect with a lisp.

Shown below is a darling vintage glass perfume bottle with a hand painted wooden head stopper; representing a Southern Black mammy figure dressed in a colorful silk dress featuring black faces and watermelon slices. Introduced in 1938, the perfume Picanette was marketed by Karoff (a division of Stuart Products Co.).

Shown above is an adorable celluloid solid perfume pot with the same head as the Jasmine by Cameo perfume bottle. This little perfume pot is marked “Parfume Chypre Concentrate “.


Le Golliwogg by Vigny c1919

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Le Golliwogg by Vigny: launched in 1919.

The best known Black Memorabilia perfume bottle is the adorable Le Golliwogg by Vigny Perfumeries of Paris, France in the 1920’s. The bottle design and name Golliwogg are directly inspired by a character created by Florence K. Upton around the turn of the century. The English writer based her books on a popular American rag doll. Vigny took the idea and applied it to their perfume line and advertised Le Golliwogg as a “lucky lil fella” and the fragrance as “the perfume of romance.” Michel de Brunhoff was the creative genius who designed all of the Art Deco figural bottles and labels.



Vigny’s bottle stoppers were of black glass molded with wide open eyes and a large smiling mouth enameled in red. The top of the stopper was fitted with real seal fur which is not always intact on bottles found today. The rarest of all bottles, were the first presentations which had no hair, these are not to be confused with the stoppers found today missing their hair.

The bottle, itself, was made by Verreries Brosse and the satin glass bottle was the first made in the series of bottles that were to change over the years. Later bottles were made up of clear glass.

Le Golliwogg’s famous bottle came in several sizes ranging from a miniature of just 2 ¼” tall to the largest, the deluxe size, which stood 4” tall.





Baccarat produced two bottles for the perfume, one is cylindrical #524, and the other a large round, disk shaped bottle #378, first used in 1919.

The bottle on the right is the Baccarat flacon version of Vigny's Golliwogg and features Golly's face on the label. Baccarat #524.







An interesting bottle was released for the holidays, it was a small bottle in the shape of the stopper for the eau de cologne. However, the black area that represents the hair is actually flocked paper. The white bottom which looks like a ruff, screws into the glass head. The bottle was packaged in a white acetate plastic box, resting on a pink velvet base.
















Other products in the range included: face cream, face powder, lotion, eau de cologne and rectangular shaped bottles with stoppers fitted with long daubers.



The lotion (a type of eau de toilette) bottle has an ovoid shape with molded arms and a black glass figural head stopper.





A small bronze and enamel perfume pin can often be found with Golly’s cute face on the front and on the back side there is a hinged receptacle that has tiny holes for holding scented cloth or cotton.



This same motif can be found as a matching metal pendant inscribed with "Vigny Golliwogg" and "Lucky Charm."and strung onto a bracelet or necklace


Reader Questions

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For some reason, the contact form responses used on my blog were not being delivered to my email and were unknowingly dumped into my Google Documents. Unfortunately, many people did not include their email addresses so I have no way of contacting them. So I am taking this opportunity to respond to the several questions my readers have asked in the hopes that if they are still searching for answers to their inquiries, they will see this info.


Q. "I found a large Lucien Lelong display rack and I was wondering if you had any info on it. It's lucite, mirror, and gesso over wood and it's massive. Probably 4 feet wide. It lights up too! I don't see anyway to attach photos, but I do have them. I'll be restoring it this next week."

A. Although I cannot see any photos, I believe this item dates from the 1940s-1960s.

Q. "While my Nanny was ill I helped to care for her. After wash-ups I took to dabbing an oil that she always wore when I was a little girl; Tuberose Bath Oil. She passed a few weeks ago and my aunt gave me the bottle that contains a small amount in it. I was able to discern from the bottle that it was distributed by Chess Ltd. Do you know where I could get more from or even just the scent of the Tuberose?  I would be ever so grateful. I feel as though she is with me when I wear the scent she wore when I was a child."

A. While Mary Chess is no longer in business, you can find very nice tuberose perfumes and perfume oils online. Occasional bottles of Mary Chess' Tuberose pop up on ebay and etsy from time to time. However, if you cannot find these, and want a very nice heady tuberose perfume, try Fracas by Robert Piguet, it is one of my favorites.

Q. "I would like to get hold of Green Velvet by Helena Rubinstein circa 1950's."

A. Unfortunately this perfume has been discontinued for many years, however, you may find these on etsy and ebay from time to time.

Q. "Hello my name is Aundrea and I have a Jonchee De Pois de Senteur Volnay Paris that I would like to sell. I have found some information on the bottle already, but would like to see what you come up with. I also do the Ebay thing most of what I sell is Hanna Andersson clothes so this is out of my comfort zone. I have had the bottle listed for sometime now but with the amount I am asking and the information I have on it I feel that I fall short on providing enough or the right information to get it sold. Looking forward to hearing back from you. Thanks so much for your time."

A. Hi Aundrea, this is a rarity, for appraisal info, please view the page 'What Is My Perfume Bottle Worth' at the top of the blog for info.

Q. "I have an old bottle of Fidji talcum powder by Guy Laroche. It is a cylinder shape and is white with brown writing on. Do you know when it may have been on sale? What year it was produced as I know they no longer make it? Many Thanks, Anna"

A. Hi Anna, your talcum powder was produced during the late 1970s-early 1980s. Read more aout Fidji here.

Q. "Hi Grace, I recently came across a boxed set of Balmain. It is called Le Monde Elegant and has 3 bottles inside. 1 each - Miss Balmain, Jolie Madame, Vent Vert. The box was sealed in the original cellophane which I slid off to see the contents inside. Of course when I tried to slide the cellophane back on, it ripped (but I kept it). Inside the bottles are about 7/8 full but I know they have never been used. Just loss from age and evaporation. My question would be if you know anything about this set or when it may have come out? I have researched it on the internet and have not seen another or even been able to read about a gift set like this. I would be glad to send you pictures...... I was going to sell it, but I would like to be better informed if possible! Thanks in advance for any help! Nancy."

A. Hi Nancy, your set probably dates to the 1970s.

Q. "Do you have heliotrope by Mary Chess?"

A. Hi, I am sorry but at this time I do not have any Mary Chess perfumes in stock. You may wish to check ebay and etsy.com.

Q. "Do you have the strawberry musk oil by R.H. cosmetics?"

A. Unfortunately products manufactured by RH Cosmetics are very scarce. I personally have never seen the Strawberry Musk perfume oil. Try ebay or etsy.


Q. "I have a small cardboard tube containing one glass ampule of perfume. The label is green with black print and is marked "Judy n' Jill Junior Miss perfume rebottled by Nips, Inc. NY, NY.   Can you tell me anything about it?  It was found among my late mother's keepsakes.  Thank you."

A. Judy n' Jill was a clothing company that catered to young women and children. They brought out their namesake perfume in the 1940s. Nips, Inc. was a company that decanted popular name brand perfumes into their own bottles and sold them in small purse size bottles and tiny glass or plastene ampules (tester vials sealed at both ends). The perfume was touted as the "Perfume for the Junior Miss. Judy n' Jill perfume is created entirely for the junior miss. Tots thru teens will love the fresh new scent."

Q. "Have a scent with the name P.R. Dreyer on the label with a design but nothing else.  Curious, can find no info. Thanks,  Rosemary"

A. Established by Peter R Dreyer in 19th Street New York in 1932; essential oils and limited commercial perfumes. PR Dreyer was involved in the essential oil and related chemicals importation business for over twenty years before he started his own perfumery company.

Oriza L. Legrand Perfumes

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Oriza L. Legrand of 11 place de la Madeleine,Paris.

Established in 1811 by L. Legrand after purchasing formulas from descendants of Fargeon, the perfumer to the then 10 year old Louis XV. The business was purchased in 1860 by Antonin Raynaud and subsequently succeeded by his widow. The business was later purchased by Armand Schul around 1910 and was later known as Societe Centrale de la Parfumerie Francaise.In the 19th century, Legrand was the court perfumers to Napoleon III, and the British, Russian and Italian royalty.

The company had two major innovations during the 19th century, with the 1879 introduction Parfumerie Oriza and the patent in 1887 for solid perfumes. This first commercial solid perfume was named "Essence Oriza Solidifiee". The Parfumerie Oriza was Legrand's first perfume line and icluded related cosmetics and toiletries under one name with coordinated graphics. This line was so successful that the company became known as Oriza-Legrand.L. Legrand was a successful company and won the gold medal in the 1889 Exhibition and the Grand Prix in the 1900 Exhibition.

The company produced luxury perfumes. Perhaps the most notable was for Fin Comme l'Ambre in 1913, with a Baccarat bottle made up of clear & frosted crystal with molded heads of lions. Other Baccarat flacons were made for Fleuri, and Kadidja.
Oriza LeGrand Perfume Bottle ~ BACCARAT   6-1/4" Tall
Enameled flacon by Baccarat (unsigned) circa 1915,by 1920, it held various scents such as Chypre Mousse, Cyclamen, Jasmin d'Asie, Lilas rose, Muguet Fleuri, Oeillet de la Reine, Rose du Roi and Violette Fleur.

In 1930 the company acquired Rosine Parfums.



The perfumes of Oriza L. Legrand:

  • 1862 Aux Violettes du Czar
  • 1879 Essence Oriza
  • 1886 Concretes des Essences Oriza
  • 1886 Foin Fraîche Coupe
  • 1886 Heliotrope Blanc
  • 1886 Jockey Club Bouquet
  • 1886 Lilas de Mai
  • 1886 Opoponax
  • 1887 Oriza Lys
  • 1887 Essence Oriza Solidifiee
  • 1890 Orizine
  • 1893 Datura Indien
  • 1896 Violettes du Czar pour le mouchoir (reissued)
  • 1898 Funkia du Japon
  • 1899 Caroline Bouquet
  • 1899 Imperatrice Bouquet
  • 1899 Jasmin d’Espagne
  • 1899 Mignardise Bouquet
  • 1899 New Mown Hay
  • 1899 Oriza Derby Bouquet
  • 1900 Actana
  • 1900 Duchess
  • 1900 Gardenia Flore
  • 1900 Idole
  • 1900 Inspiration
  • 1900 Parfums Noveaux au Royal-Œillet
  • 1900 Relique d'Amour
  • 1900 Doubles Violettes du Czar
  • 1900 Doubles Violettes du Czech
  • 1900 Age D'Or
  • 1900 Rêve d’Ossian
  • 1900 Violette Comme it Faut
  • 1900 Violettes Prince Albert
  • 1900 Royal Legrand Eau de Toilette
  • 1900 Apotheose
  • 1902 Soleil de Minuit
  • 1907 Parma Violet
  • 1907 Parfum de l'Aigle Russe
  • 1909 Œillet Louis XV
  • 1911 Poema
  • 1912 Armide
  • 1913 Fin Comme l'Ambre
  • 1913 Zelmis
  • 1914 Chypre Mousse
  • 1914 L'Yperlée
  • 1914 Parfum des Jardins d'Armide
  • 1914 Jasmin d'Aise
  • 1915 Fleuri
  • 1918 Armistice
  • 1920 L'Ambre
  • 1920 Chypre
  • 1920 Floralis
  • 1920 Violette Fleur
  • 1920 Rose du Roi
  • 1920 Oeillet de la Reine
  • 1920 Secret Joly
  • 1920 Muguet Fleuri
  • 1920 Kadidja
  • 1920 L'Horizon
  • 1920 Ouarda
  • 1920 Hermione
  • 1922 Deja le Printemps
  • 1923 Le Bon Ton
  • 1923 Rose
  • 1925 Cyclamen
  • 1925 Eventail
  • 1925 Gardenia
  • 1925 Venise
  • 1926 Lilas Rose
  • 1926 Breath of Spring
  • 1928 Marions-Nous
  • 1929 Camelia du Nile
  • 1932 Soleil de Minuit (relaunch)
  • Balkis
  • Bouquet de Breaulieu
  • Mimosa Dore
  • Parfum Anniversaire
  • Stilliflore


Do not confuse perfumes of Oriza L. Legrand with those of Hector Legrand, these companies are not related in any way. This company was established in 1856 at 118 rue Henry-Litolff, Bois Colombes (Seine). The proprietor in the early 20th century was J. Caron and produced small luxury perfumes, cosmetics and toiletries. Best known for the 1920 presentation of Eglantine de la Reine with the tiara bottle manufactured by Lalique.

Havoc by Mary Quant c1974

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Here are some questions from readers that I thought you might enjoy.

Q. "I have a bottle of Havoc perfume that I have been holding on to for any years. I often pop off the top and take in that lovely scent that I so loved back in high school! It evokes such great memories!! I would love to wear that wonderful scent once again. Is it possible to find or duplicate the scent I long for? Please let me know so I can stop searching. My daughter is in London presently and I am thinking of sending her to the Mary Quant shop. Please tell me if this search is futile. Thanks in advance for your efforts!"

A. Havoc by Mary Quant was released in 1974. Havoc is classified as a floral woody aldehydic scent, slightly metallic smelling with notes of aldehydes, aquatic florals, green notes, tuberose, Bulgarian rose, amber, sandalwood and musk.

Havoc was created by Guy Robert and manufactured for Mary Quant Cosmetics, LTD by Max Factor which was later sold to Proctor and Gamble. To the dismay by its loyal fans, Havoc was discontinued in the USA in 1994 and recently Proctor and Gamble discontinued the entire Max Factor line in the USA. Some women had turned to similarly scented perfumes such as Rive Gauche by Yves Saint Laurent, Calandre by Paco Rabanne and Chanel No. 19.

In the 1970s, it was available in two sizes: 1/2 oz and 1 oz spray cologne and eau de toilette in silver canisters. In the 1980s, it was available in 3.4 oz spray perfume in silver canisters.

The "Original" scent Havoc is now made and distributed in the USA by Evyan for its Liquid Chic Collection. I believe that the new reformulated version of Havoc has a creme brulee/caramel scent that may have not been a part of the original composition.


Q. "Hello, I am a Havoc/Mary Quant fan. I have purchased the original, small canister a few years back, and now the newer canister. I see there is a Havoc/Gold. I have never heard of this. Is this the real deal?"

A. Havoc Gold is a flanker scent, which means it is like a sequel to the original Havoc perfume. Havoc Gold is a chypre scent and has notes of: amber, musk, sandalwood, oakmoss, bergamot, labdanum, aldehydes and an unknown floral blend. This too is available in a spray canister, but instead of the silver color of the original Havoc, it is golden in color to reflect it's name.

To read more about Mary Quant perfumes and cosmetics, click this link.

Silent Night by Countess Maritza c1947

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Silent Night by Countess Maritza: launched in 1947.

It was available in the following:
  • 1/4 oz Parfum
  • 1/2 oz Parfum
  • 1 oz Parfum
  • 1 oz Toilet Water
  • 1 3/8 oz Toilet Water
  • 2 oz Toilet Water
  • 3 7/8 oz oz Toilet Water
  • Cologne
  • Perfumed Cream Sachet
  • Perfumed Talcum Powder
  • Body Powder

So what does it smell like? It is classified as a floral oriental fragrance for women. I have no published notes in this fragrance, so I am using a vintage 1950s perfume nip to sample.
  • Top notes: aldehydes, bergamot, orange, lily of the valley
  • Middle notes: jasmine, ylang ylang, Damask rose, violet, carnation, tuberose
  • Base notes: sandalwood, oakmoss, patchouli, benzoin, civet, amber, orris, musk, cedar, vanilla
I dabbed some drops on the back of my hand. On my skin, a very quick burst of aldehydes, lily of the valley and bergamot make for a nose tickled opening. A rush of heady sweetness from a marriage of violet, jasmine, spicy carnation, a hint of tuberose and rose waft up from the warmth of my skin. I delightfully inhale their beautiful bouquet while I detect some orange and banana like ylang ylang. This sweetness is further accented with benzoin and vanilla. After about 20 minutes, some woods start to come forth in a blend of cedar and sandalwood. Spikes of fuzzy oakmoss, dusty orris and pungent patchouli join the crowd while the animalic scents of ambergris, musk and civet round out the base.  This was an absolutely divine perfume to sample. I really enjoyed the sweetness, which was not cloying, as it was balanced by the woodsy notes which gave it a warm, enveloping and sensual effect.

Discontinued, date unknown. Still being sold in 1960.


The Pittsburgh Press - Dec 15, 1947:
"SILENT NIGHT Toilet Water by Countess Maritza . Give the gift of utmost charm this Christmas time. Silent Night, exciting and wholly dramatic. And when you sniff it for the first time, you'll follow the rule of giving others just what you'd like to receive. In a jewel-fashioned bottle, the exquisite fragrance of Silent Night will become the silent charm of all who wear it."

Motion Picture, 1951:
"A big thing in a small package is Countess Maritza's Pursette of Silent Night perfume, shaped so that it won't spill until pressed to the desired spot, $1.50."
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